On Writing – The Weak Spot

Every hero has a nemesis, external or internal (the self). In a story, a hero/main character will most likely, have a weak spot, usually the real conflict going on for that character. That weak spot directly or indirectly affects how the character deals with the outside conflict and relationships around him, the immediate world, and archenemy. That same weak spot becomes a door for the enemy/evil, a portal to the main character’s disturbed soul and vulnerability. It is not until the character/hero deals with that weak spot (even when it remains for life) that he/she is able to conquer the evil that torments. Sometimes, the weak spot is related or rooted to an early trauma. The process seems to be the same for the archenemy, but in this case, the denial of the issue (usually) becomes fuel to an evil side; for the hero, weakness but also the door to greatness and strength.

In The Dinorah Chronicles, Dinorah’s non acceptance of her birthright and destiny at the beginning, is rooted on her perception of abandonment by her parents during childhood. It also becomes the source of her strength and power later on. Whether the weak spot remains with the character or is resolved eventually, it is always a source, a vehicle, and a tool that can be used for good or evil.

The Dinorah Chronicles trilogy is available through Amazon in eBook and paperback format.

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