I have a passion for old religious pieces – large gesso or chalkware saint sculptures, old wood santos, nichos or retablos that represent folklore … There is something romantic about those pieces. Religious art has evolved since human started making art, till’ this day, and will continue to do so. One thing that I notice is how the expression on the faces of sculptures have change over the years – from a reverent and languid appeal to a more “normal” or “joyful” state. Here is a picture of an antique italian chalkware statue of the Holy Family dating from the early 1900’s versus a contemporary statue depicting the same characters.
Antique sculpture of the Holy Family
If you notice the facial expressions, on the later sculpture the characters are looking up, almost in a happy state or “hello” demeanor, while in the older statue, the figures seem more solemn, reverent, and almost sad, or peaceful. There are many differences between these two statues, including the lack of detail of the base, feet, and clothing … .
One of the items that I love to recreate is the old retablo, an art that almost disappeared at one time. Retablos are supposed to be made of wood, hand painted, and with a rustic appeal, almost as if the artist worked with the “few materials at hand” reminiscent of the traditions of the populace, the people of faith who made them. Here is one of my Retablos or Nichos (niche) of the Virgin of Guadalupe. I created this sculpture using a variety of mixed materials. I am working on a few other retablos, and designs (I know, I should be writing – but sometimes I need a little break to recharge my batteries). In each of my religious sculptures, I hide a small gemstone, in this case, a tiny opal. Can you spot it? You might need to use the zoom feature. Here is the photo.
Here is a closer look.
I enjoy making these. You can find more information about this piece at my online store – where I let go and just create.
In addition to retablos, another lost art is the one of the “Wood Santos” or “Santos de Palo” that is part of many Latin America cultures, as well as European folklore. You can see the same old vs. contemporary features in these. The old santos had live detail, as if the artist or devoted revered the piece while crafting it. Today pieces lack that, almost looking faceless, with no expression, or a cold demeanor. But these are the pieces that are mass-marketed that look like that. I’ve seen some European artists who sculpt santos, many life-size, and their art becomes almost alive, rich in detail, even the rustic pieces that are simpler. But these artists are very proud of what they do, and put much soul in each piece. A mass-marketed piece is produced with the purpose of creating volume, not art. However, I have to say that some mass-marketed pieces, the very old ones, had much detail, the molds were carefully made. With the pass of time, the attention to detail in these molds became less important, I guess, giving way to quantity/volume.
Next time you come across an older sculpture, take a good look at it and see how each little crevice tells a story.