Yes! Spring is just around the corner. I have observed more and more birds arriving. The other day, a large flock of starlings arrived. I called them crazy birds because they don’t stop moving, and sometimes they look like they are having a bad hair day. They are a bit hard to photograph, but they are as adorable as any. The flock was large and it covered the front and back lawns. If they heard any noise or a car went by, they all took flight and descended a few seconds later, all at once, lovely to watch. One of the cats enjoyed the show.
Hope you enjoyed seeing the pictures of these amazingly synchronized birds.
A best friend turned to nemesis is a common occurrence in story telling. The evolution of a main character’s archenemy is something that doesn’t happen instantaneously. It has been brewing through time, and is usually preceded by an unfortunate event that most likely involves directly or indirectly, the other best friend (usually a main character). When writing the deterioration of this relationship, the history/background of the two characters is important, but mostly, the actual interaction between them is. Whether this unraveling occurs due to a supernatural or perfectly natural event, the relationship and interaction between the two (or more) characters cannot remain the same. Writing has to reflect that.
In The Dinorah Chronicles, Hael, an embodiment of evil via supernatural origins, is Dinorah Sandbeck’s nemesis. When a supernatural event is the cause for the “turning of the coat,” the vilifying of the other character seems a bit less complex and left to the imagination of the writer. When natural/human issues are involved, the vilifying becomes a bit more humanized, thus exploring the psyche of both characters, hopefully without risking to bore the reader. I think that too much detail/drama that is prolonged in the natural deterioration of the relationship between both characters becomes boring; at least for me as a reader, it is. Whether natural or supernatural, this vilification process has to evolve over time, have a history, and a clear motive throughout the story, which is developed and supported mostly via dialog and prose, sometimes even description, and through other secondary characters.
Throughout a series, the archenemy can remain the same, be a different character(s), or even be reborn into a different physical vessel that embodies the original evil essence. Sometimes, this nemesis can be a duality, a part of the main character, one that is awakened through a devastating psychological, physical event, or a combination, that leaves a permanent mark in the character’s persona. The important aspect on this friend/nemesis evolution is that there is a thread that the reader can easily follow throughout the story or series.
I hope you enjoyed this post. Feel free to add your take on this topic.
We had a pretty heavy three-day ice storm, and I am so grateful that we did not lose power, and also grateful that we did not have any trees damaging our home. I also feel for the people that are without heat in this type of cold weather. We are expecting another storm by tomorrow, and that will add to the damage we had, which was nothing compared to other people. The amount of ice was so heavy on the trees that I could hear the tump tump tump every time one fell. Many of our trees lost a considerable amount of heavy branches, including the one near the house, my beloved old cedar tree, which is as old as the farmhouse is, or older. This storm put into perspective the need to remove two more trees that are too close for comfort, although I truly hate to see them go. This of course will be expensive because they are old giants. One of them lost most of its branches, a few of them hitting the porch at the corner but thankfully, only leaving a slight dent on the old roof, which is over 100 years.
The list of chores keeps growing around here. For now, the way to tackle these coming up projects will be one at a time, little by little, and all in due time. I will share some of them here. Hope you enjoyed this post.
All tips I share on this blog are based on my experience, on what I have learned in my journey as a writer. I understand that every writer has her/his own road to take, own style, writing goals, work ethic … so what I share here is based on my perception, as far as my pathway takes me. When I wrote The Dinorah Chronicles, I did not plan to include a prophet in the series. This character appeared unexpected, and pretty much wrote itself – a child named Jenna Callaway, who was confused and scared about the gift of prophecy. Jenna did not know she had this gift. Dinorah Sandbeck, the main character in the series, helps her develop her gift, and eventually, the last prophecy comes through Jenna in the last book- Sunrise Souls. At first, Jenna wrote (in Latin) the words that she heard in her mind, without understanding the meaning. She kept it a secret, until she met Dinorah in book 2 of the chronicles. She delivers as few prophecies throughout books 2 and 3 (The Book of Sharon/Sunrise Souls).
Other than thinking that the wording/content should sound ancient/old, I did not have any other guidelines on how to write these prophecies. I relied on the deep connection that I felt with the story and the character throughout the series, and this is how these prophecies came about. These wrote themselves, and by that I mean that the flow of the words through the pen was smooth, not forced or over developed by a thought process. Here is a short excerpt of Jenna’s first prophecy. It is about a page long, and the rest of it can be found on The Book of Sharon on page 95.
As a writer, I wish I could tell you more on writing prophecies for a story, but I did not follow any specific guidelines or writing rules, other than feeling connected to the story and letting the pen flow freely, as it wished. In my experience, there has to be a connection when writing a story, otherwise the story does not flow, feels forced, and sometimes, I cannot write even a word if I feel the connection is missing. There are many ways in which you can connect with your story, and as personal and varied as writing is for you – writing everyday or when you feel it is the best time of day, clearing your mind before you write, whether that is exercising, taking a walk in nature ,,, relaxing, or anything that feeds your inspiration. In my case, I love to observe nature, and I always say a short prayer before I write. Whatever fuels your pen, and makes you closer to your story. Sometimes, it is just simplicity in our lives.
Previously, on the Fixing and Old Farmhouse series of posts (Fixing an Old Farmhouse – The Kitchen), I mentioned that I had planned to find an old French buffet and place it where the microwave and bread box were located temporarily, on top of a long table my husband made. Because these items are accessed on a daily basis and were to low to reach, I figured that a narrow French buffet or narrow cabinet would serve the purpose, and look beautiful. Later on, I realized that although it would give me more storage that I don’t need, the placement of the cabinet would overwhelm the space, and make the kitchen look too crowded. I am not a fan of traditional cabinets, especially the top parts, so when we fixed up the kitchen, I used shelving on top, and a few cabinets with a butcher block top, along with an antique French buffet that we placed in the coffee and prep area. We like the look of natural wood, especially when it ages and takes on a darker patina. After consulting with my other half, we decided that a shelf would be a better fit for the space, moreover, because we used these items too often.
When looking at wood at our closest hardware center, the prices for wood seemed to be all over the place, that is, for a nice piece of sturdy wood plank. The least expensive were too thin (1/4 inch) or short, and either pine, being the least expensive, followed by poplar, oak … I was ready to settle for poplar when I spotted a bundle of oak risers nearby. They were the perfect length and thickness, but much better, these had the rounded front already, unlike the planks of wood. To add to the perfect finding, it was the right length, no need for cutting anything at all. Price was about two dollars more than the poplar plank that we would have to cut, sand, and prep.
Next, we selected the brackets. This part was easy because right away I spotted two copper tinted brackets that matched the copper motif throughout the kitchen. We love an old world/vintage/rustic style. The installation was a breeze – no need to cut anything, just install at the right height, and it was done. The shelf allowed for placing the two chair stools under it, converting it (if needed in the future) into a floating desk or space for extra sitting. It also allowed for a lighter feel as opposed to using a cabinet. Cost came about under $50, a fraction of what a French buffet or cabinet would have cost. Here are a few pictures, and I hope you enjoy reading about this farmhouse project.
When I set out to write Moonlit Valley, I didn’t know it would take me to a highly organized, supernatural world that operated on Earth through many beings, one kind called Anarths. Anarths are celestial beings who take human form in order to fulfill their assigned duty on Earth. They do not age, possess strength and speed abilities, are capable of traveling between realms in less than milliseconds, and possess enhanced senses, hence why human emotions overwhelm them. They are sentinels of Earth and they monitor and protect key humans who are important in human evolution according to a divine plan. They are not angels, and are a few ranks below.
Writing Anarths presented a challenge – they were not humans but they had to act human-like. However, for the sake of these characters in the story, they had to be written in a distinctive way, that is, aside from their supernatural qualities. They also could not resemble each other or act like clones; they owned their personality on Earth. They experienced emotions, so they could not behave like robots or android-like. They had to present a soul-like side, even that they didn’t have souls. Description/descriptive behavior and characteristics were good to a certain point, so I relied on dialog to achieve this.
Another challenge that presented itself later on, when these characters made it to The Dinorah Chronicles, which had a story time lapse of 20 plus years forward, was the need to evolve them along with the humans they interacted previously, but because they didn’t age, they could not be “totally present” in some parts of the story. They had to act more human-like across the whole series/story and throughout the years, but also develop a familiarity with certain key human characters in the story. All this had to be reflected in the dialog throughout the trilogy. Because they had blended well with humans, they had acquire certain personality and behavior patterns that had to be reflected in the trilogy. Simply, they could not have remained the same. One way to achieve this was to make them sort of “break a few rules” but without sacrificing their righteousness. Their personalities and behavior throughout the series had to evolve without being to evident, because after all, they had a divine makeup, and a divine purpose/duty, which had to remain untouched by me (the writer). An example of this is prohibited and brief, but necessary, negotiations with a neutral element of The Other Side in order to obtain information that would advance the cause.
A simple example of the use of dialog in the early stages of an Anarth who has been assigned on Earth but has not spent enough time or develop many human relationships yet, would be something like this:
Human dialog – “Hey, why are you not going?” or roughly “Hey, why aren’t you going?”
An Anarth would say it like this – “What is the reason for you not attending?” or “Does your intended absence has a purpose?” or “Is there a purpose to your absence?” There are many ways to construct the sentence, many variations, but all intending a certain degree of order.
Another simple example.
Human – “Do you want lunch?”
Anarth – “Are you in need of nourishment?”
An Anarth in the early stages of human contact would not say “can’t” instead, he/she would say “can not.” As relationships become stronger, the dialog evolves, thus becoming more relaxed. The darker (evil) the character, the more impersonal and less “caring” the dialog became. Writing these characters was fun and I learned much from their interaction and evolution throughout the story as I wrote them.
Moonlit Valley and The Dinorah Chronicles are available via Amazon in eBook and paperback.
What if your main character did not have a face but had them all? When I wrote The Five-dollar Miracle I took a risk, and unusual approach – I did not describe the main character physically, instead, I described every character in the story, except Pastor Neil Beckham. However, I had a clear purpose for doing this. I wanted the main character to appeal to every reader, this due to the nature of the story. To be able to get away with a faceless main character, I made sure to focus on the character’s personality, psyche, emotions, and personal history. In this way, the physical attributes took a secondary place and were able to disappear, blend with the story, thus becoming less important. By describing every other character, their stories became alive as well, however, always strongly linked to the main character. Every other character in the story became a support for this faceless main character. In this way, the reader could imagine him in his own way, and tailor him to his/her own reading experience, but mostly because The Five-dollar Miracle is an inspirational story. Because of the nature of the story, I was able to get away with it, however, this approach would not have worked for any other of my novels. Three readers who enjoyed the story very much, did not even realized that there was no description, and each person imagined him in a very different way. I took a risk taking that route, however, in order to do that, the rest of the characters became an important part on this decision, So far, it seems to have worked out.
December and January have not been as cold and I have been observing more birds than usual around here, so I take it as a sign that it will be a mild winter. The forsythia is in full bloom, all covered in yellow flowers that did not shriveled with the frost and ice we had or the light snow that never stuck on the ground. The rose bush still has some buds and even a few flowers. Temperatures at night have been in the mid 20s and during the day in the 40s and 50s, with the occasional 30s in the mix. Not bad at all. The birds have been a very welcomed sight that has help me cope with all the sadness and craziness that is going around in our country. My faith has been an anchor, but watching these little ones go on and about with their day and routine has been a pleasure. Nature, as always, has given more than expected, and I have tried to find beauty in everything that surrounds me. I will share a few images with you, and I hope that these bring you joy as well.
I hope you enjoyed these, and that looking at them brought you a bit of joy. The hand of God is everywhere if we care to look.