Sometimes, you just don’t know what pieces of wood are going to tell you. The other day, I was looking through some pieces of scrap wood that my husband saved for me to use in future projects. I came across a couple of pieces that whispered to me what they wanted to become. As soon as I looked at them an image in the wood grain appeared; so I listened.
You never know what wood is going to whisper, might as well listen. Hope you enjoyed this post.
If you happened to look up last night, you saw a Buck Moon. It is a July moon named Buck because these animals grow new antlers about this time. It has other names as well. I was able to take some quick pictures of this gorgeous moon. By now, you know that I have been in love with the moon all my life, since I was a kid. I remember when I first saw the moon through a telescope. I was about six years old, and a Pastor who rented the house in front of my grandmother’s home had a telescope set up on his porch. One night, he let me look through it, and I was in awe, and remain in awe until this day. It is one of my fondest memories.
Birthright – A right or privilege to which a person is entitled by birth.
Destiny – The seemingly preordained or inevitable course of events.
Free Will – The power or discretion to choose.
(American Heritage Dictionary)
These are topics/ideas that are common in many novels, whether paranormal, historical fiction or other. The Dinorah Chronicles trilogy presents the idea of birthright as central to the series from denial to acceptance to fulfillment. At first glance, these three concepts might appear different or even contradictory to each other, however, these fuel each other, and in the end, the character chooses (free will) to fulfill a birthright and/or what might be viewed as destiny. A birthright might be given but a destiny is chosen by the exercise of free will, whether that birthright is fulfilled or not. In the end, the character finds “self” or grows into the pursuit of knowledge.
The Dinorah Chronicles is available via Amazon in eBook and paperback format.
Most heroes accept their calling, even when they might hesitate at first. They choose to follow their purpose. Their purpose eventually becomes their identity, and if that purpose fails, ceases to exist, even momentarily, the hero/main character loses her/his identity. When the purpose , the calling, the birthright becomes the goal/the existence, it becomes more important than the hero or anyone else, and it usually translates (ironically) in the denial of self, the neglect of loved ones, all for the good of humanity – the ultimate goal. Just like a fire, it consumes the hero’s soul, and takes over everything around her/him quickly. Sometimes the hero finds balance, sometimes not; however, most likely, the hero finds the self along the way.
Sometimes, it happens that a character is brought back, whether from the dead, or back in a series. When resurrecting a character there is always motive, a purpose, and that motive has to be clear, defined, and essential to the story, otherwise, it might not make sense or have an impact in the story.
Why bring back what was once gone if there is no agenda? It is a risky maneuver for the writer, one that can upset readers more than the demise itself. Of course, for fans of the long gone soul, it is a heavenly gift, like breathing life into the pages once more. For the writer, a necessary duty, a risky endeavor, a solemn event.
Everywhere we look, there is life going on, even at the microscopic level. Spend a few minutes outdoors and look around. From foliage to tiny critters moving around and about, our existence is full of life; isn’t that wonderful? I have been observing a Mama Bird caring for her babies for the past three weeks or so, and I have avoided using the side entrance so I would not disturb them. At first, I thought there were two abandoned nests in each of the flower pots hanging at each side of the entrance, although one of the nests seemed as if it was started and left halfway through undone. It is a shady and cool area, and I have not been able to grow anything on those pots despite several attempts, so this year I placed artificial flowers inside. I noticed that the halfway done nest disappeared and the other one seemed bigger and fuller. I assumed it was being built, and the nest material was being used, so I let it be. Later on, I would see Mama Bird flying back and forth, and chirping; later on, I heard a few chirps but did not want to go near the area in fear that I would scare the birds. On Saturday, I did not hear anything, or see any movement, and on Sunday, I discovered an abandoned nest. Wanting to preserve this lovely memory, I sat down and attempted to paint the flower pot with a few watercolor pencils I have around.
It was relaxing, and I preserved a beautiful memory. I used to draw and paint when I was a kid, and for some reason that I cannot recall, I suddenly stopped. As a young adult, I tried to get back to it but was hesitant for some unexplained reason that puzzles me and I cannot comprehend. In my late twenties, I even bought an easel, several types of paints, and other materials but always felt something stopping me, and it all sat waiting for me to pick it up. I carried the stuff from place to place. On my last move, I got rid of 70 percent of my stuff, but for some reason, I could not let go of the painting materials. I had attempted a few drawings and paintings, on and off, but It wasn’t until a few years back before my last move that I started, and I pushed myself to paint something, despite my “hesitation.” It has been very diluted and sporadically, rudimentary, but I am feeling a bit more at ease with it. I cannot recall why I stopped, or anything negative associated with painting or drawing, other than a teacher in third grade making a big deal in front of the class because I painted blue hair on a coloring book. Another teacher telling me in class that it wasn’t me who did the drawing on a novel we were reading in 7th grade (we were supposed to draw or paint a scene), even when it was all me. So I have no clue as why I stopped painting suddenly, but I intend to keep on painting something from now on, and enjoying it. For some reason, it feels as if I picked up where I left off. No Picasso here, just the joy of it. Life goes on in ways more than one.
Heroes are applauded. Main characters are beloved. Secondary/tertiary characters move the plot. Without these characters there is no story. They are the ones who carry the load, chapter to chapter, the bearers of good and bad news, and in truth, heroes and main characters are nothing without them. They support the main character throughout. Have you ever liked a secondary character more than the main? Are tertiary characters disposable? Do they serve a purpose, fill a hole, and are forgotten after their purpose is fulfilled? Are they neglected characters, in a sense? I don’t think so. Inside every tertiary character, however short lived, there is motive, truth, and purpose. It is that last piece of the puzzle, the one that completes the whole picture. Their existence is brief but not without meaning. After all, they appeared in the writer’s mind for a reason. Even if they are quickly out of mind and out of sight, they became part of a chain of events that if broken, disturbs the scene/story.
In these characters defense, they work for their keep, and unlike main characters/heroes, they are not handed a crown from the beginning.
Sometimes, there is a wall between the reader and a classic novel, and it results on the abandonment of it. On occasion, I have felt disconnected with the story. I have found that it is not the story per se, but a combination of elements: the time when it was written, the culture, and the (old) language that was used during the time. Many times, I have come across a word that I don’t recognize, and I have paused reading to look it up. In a way, it interrupts the flow of the story when reading and becomes a distraction. One can get the gist of it and continue reading, but for some reason something feels missing.
In order to do justice to that classic novel one has to become an archeologist of words. It must be treated as an adventure, a special read, unearthing a world that one does not know well or at all. Viewing it from the point of view of the writer’s times, the period in which it was written, the social/political conditions of the time, the writer’s life, and other considerations of that period, is something that helps the reader appreciate the story more, and understand it as well, finding common ground with it, and giving it a chance to reveal itself, and reconnect with it.
I find that doing light research about the author and the times prior to reading, helps and enhances the reading experience. Before tossing that classic novel aside, try this; maybe it will help in viewing it with different eyes.