The Right to Create Responsibly

These days, phrases and words like cultural appropriation, woke, and many other, are common in our vocabulary. We hear them in social media, the news … These concepts have become “a thing” and many are using them and are “finger-ready” to point it at the first sign of such heresy. The self-righteous mob found a new quest, and with it the holy grail of the times, the “woke” got up and chanted a new song of mob shaming. Just because we are so perfect and spotless, right? The taste of new blood becomes an obsession in social media, and in mainstream media as well. It has migrated into writing, with the latest censoring of old books, the shaming of “old culture”, and the removal of many from social media and the shelves. How will it all play out in the end? It is a question I ask myself. Will we become better people? Will we become better communicators and writers/creatives? Will we sensor ourselves, diluting the words as much as we can so we are not perceived as offensive? What about the writers who are in the historical fiction genre? How will they write a scene that has accurate historical influences in wording because it might be perceived as offensive? Will writers avoid certain ethnicities in their novels for fear of being misunderstood? Will writers of crime thrillers be accused of “inspiring” or “inciting” a crime if an unstable person decides to recreate that particular crime? Will authors be censored, arrested, and prosecuted? Will writing and every form of creativity become “illegal” in the future?

I ask myself those questions and many more. I don’t think I am too crazy and far off. Lone gone are the days when you and I could disagree on something, have a conversation about it, have an opinion, and express it freely without being chastised. We must respect one another by learning to listen to one another all over again, by learning to find common ground even when we disagree on many things, and by understanding that we are more alike than we think we are. As writers, I think that we should strive to write the best story we can write without being disrespectful while being true to the story and history, in the case of historical fiction based on facts. As humans, we are less than perfect, and I believe that most of us try to be as decent as we can, and strive to do better each day. When we look at another as a reflection of ourselves, most likely we end up seeing ourselves in that person in some way or another.

We are more alike than we care to admit (photo by M.A.D.)

On Writing – From Best Friend to Nemesis

A best friend turned to nemesis is a common occurrence in story telling. The evolution of a main character’s archenemy is something that doesn’t happen instantaneously. It has been brewing through time, and is usually preceded by an unfortunate event that most likely involves directly or indirectly, the other best friend (usually a main character). When writing the deterioration of this relationship, the history/background of the two characters is important, but mostly, the actual interaction between them is. Whether this unraveling occurs due to a supernatural or perfectly natural event, the relationship and interaction between the two (or more) characters cannot remain the same. Writing has to reflect that.

In The Dinorah Chronicles, Hael, an embodiment of evil via supernatural origins, is Dinorah Sandbeck’s nemesis. When a supernatural event is the cause for the “turning of the coat,” the vilifying of the other character seems a bit less complex and left to the imagination of the writer. When natural/human issues are involved, the vilifying becomes a bit more humanized, thus exploring the psyche of both characters, hopefully without risking to bore the reader. I think that too much detail/drama that is prolonged in the natural deterioration of the relationship between both characters becomes boring; at least for me as a reader, it is. Whether natural or supernatural, this vilification process has to evolve over time, have a history, and a clear motive throughout the story, which is developed and supported mostly via dialog and prose, sometimes even description, and through other secondary characters.

Throughout a series, the archenemy can remain the same, be a different character(s), or even be reborn into a different physical vessel that embodies the original evil essence. Sometimes, this nemesis can be a duality, a part of the main character, one that is awakened through a devastating psychological, physical event, or a combination, that leaves a permanent mark in the character’s persona. The important aspect on this friend/nemesis evolution is that there is a thread that the reader can easily follow throughout the story or series.

I hope you enjoyed this post. Feel free to add your take on this topic.

The Dinorah Chronicles – The Book of Sharon

The Book of Sharon is book 2 of The Dinorah Chronicles. I have to say that I have not talked about it much on this blog, mostly when I announced its release. Over the next few days, I will be talking a bit about some of my novels, in no particular order. The Dinorah Chronicles is a trilogy, and each book was written to stand on its own. You don’t have to read the previous to know what is happening on the next.

Of the three books, The Book of Sharon was the one that was a bit more complicated or challenging to write, and that is simply because it was Dinorah’s book, and parts of it had to be made known throughout the story. A book inside a book, inside a book, sort of, if I was to describe it. It uses a different type of writing, as the content of The Book of Sharon was an ancient book given to Dinorah Sandbeck to protect and make it known later on, as well as to guide her. Dinorah, the main character, is half-human and half-Anarth. At first, she did not care for her birthright, but later on she learned to embrace it. Throughout the trilogy, the process of this acceptance is ongoing. She had to deliver the message contained in the ancient book, a message for the human race, however she had to do this without revealing her Anarth ancestry.

What is an Anarth? Anarths are highly evolved beings who are part celestial and part human when they take human form to fulfill their duty. Their purpose is to live on Earth, as sentinels. They monitor an protect key humans who are important in human evolution, and ensure that blue prints are being executed according to the divine plan.

Here is a very small excerpt from Chapter 6 – A Song of Hope for Earth. It is the content of one of the pages of Dinorah’s book, which she reveals from the ancient tome.

“Your heart is concerned with the troubles of humanity, yet humanity is not concerned with its own. See that I have said what I have said, and it is written: let who wants to hear, hear, and who wants to see, see. I take my children and gather them from all corners of the earth, and I deposit them safely, because a new Earth is emerging … Sickness in the souls is the sickness of this planet.”

Chapter 22 – Kindness – The Path to Love (excerpt)

“To love all, may appear impossible; the heart hurts, the mind uses judgement, but the soul longs for the expression of pure love. It is the essence in all, and the true identity of the Spirit. When we look at the transgression of another with kindness instead of judgement, the doors of understanding open, and the path towards love reveals ahead. It is a journey that all must make, in different ways, one path, different roads leading to the expression of the soul wanting to manifest its essence, pure love… Be kind to one another, so you can walk the path of love, and in love, become.”

This book is more about Dinorah’s quest, the reveal, and the content of the ancient book, the secret code, and the book of the great battle. However, it is weaved throughout the main story in a way that flows with it, as part of Dinorah’s book. It is the introduction to the Sunrise Souls, which is the main essence of the last book in the trilogy – Sunrise Souls. Ramblings of the Spirit, the first book in the trilogy, is more about the introduction of Dinorah’s quest, her battle, and her supernatural background, along with the introduction of the ancient prophecies. Overall, writing this trilogy was challenging and fun, and required a mind of its own at times. I will share more about the other books in the trilogy on future posts.

The Book of Sharon

The Book of Sharon is available on Amazon.

 

 

 

 

 

Have We Forgotten?

Fiction – A product of the imagination. The category of literature with imaginary characters and events, including novels, short stories, etc. (American Heritage Dictionary)

Boxed In?

For many years I’ve tried to define my writing niche – my little genre box. The truth is that I don’t have one. For some reason, I cannot box myself in a particular genre. I cannot define myself as a (fill the blank) writer. When asked the question, I cannot say that I am a romance writer, a mystery writer … so I usually answer with “I am a fiction writer” or “I write fiction.” It is not that I won’t commit to a genre or that there is a lack of clarity. It is not that I cannot decide on one particular genre and stick with it, as many experts suggest. I have pondered my reasons for not going inside the box many times. The only answer I can come up with is that I want to be open to write the book that wants to be written.

I labeled my first published novel a paranormal romance for lack of a better genre definition, but truthfully, I don’t feel that I am a paranormal romance writer. The novels are more inspirational in nature than romantic, and they have a supernatural vibe. The current story I am working on – The Five-dollar Miracle – is an inspirational story and very different from my other books. One theme that seems to filter into my writing is that of the divine and the supernatural working together. It is the only thread that seems to give my writing a cohesive element. Other than that, I am open to any story that wants to be written.

So what am I? I guess that when forced to stick on a label, I will call myself an inspirational fiction writer but that feels a bit too boxy for me. Instead, I will let inspiration mold my pen and trace a path. Of course, this is irreverent to traditional publishing/writing and to the mighty pen gods, the omniscient powers that be. I am at peace with that.

More Than One Hat

Fiction writers wear many hats. We wear a costume everyday. When we create a story, we create worlds, and people in those worlds, characters to whom we give life through challenges and the emotions we try to convey through them. Sometimes, readers might mistake a character for its writer or believe that the writer shares its attributes. Although I believe that there is a bit of the writer in between the lines, fictional characters are fiction. We rely on our mind, imagination, observation, and life experience to give life to our characters, but many times, we rely on research, on learning a particular subject to present a character and a story in a better light. Depending on our writing style, we might become poets, song writers, prophets, and even preachers. I have done a little bit of those jobs when writing my books. I’ve written a poem, a prophecy, and pages of an imaginary book, as I did in The Book of Sharon and in Sunrise Souls, books two and three of The Dinorah Chronicles trilogy. I’ve written riddles on Moonlit Valley, and a song in Sunrise Souls. On my work in progress – The Five-dollar Miracle, I had to write an entire sermon.

My point is, we sometimes have to become our characters and see the world through their eyes for a little while, to be able to write the story. Sometimes, the writing feels effortless, and at other times, it is more challenging, but always with levels of engagement. We are separate from our characters but we step inside their world, their minds, and their feelings/emotions to be able to convey a story to the readers as best as we can. In that regard, we wear many hats. We become the heroine, the villain, the priest, the prophet, and even an inanimate object, such as a book of prophecies and teachings.

I write stories, I create worlds, I give life to characters and become one with them, and then, disengage. I put on a costume everyday. I write fiction and love it.