First draft of The Book of Sharon
There it is, the first draft of The Book of Sharon. I met my goal. Now, I will put it to sleep for a few weeks, so I can revisit it with fresh eyes to start the editing process. It will get fatter, smaller, skinnier, fat again, until it feels just right, and hopefully, see the light by the end of the first quarter of this year. After this one, I need a mental vacation. It feels good to have written it, and now the fun begins.
English: Quill pen (Photo credit: Wikipedia)
I compare a writer’s style to her/his fingerprint, a unique signature style that develops over time. If you have a favorite author, then you probably know that author’s style; it permeates the work of the author as a scent picked up by the reader. The author has embedded in the story not only his soul but also his creativity, and in a way that reflects a distinctive writing personality, the writer’s style. Even when the work has gone through several rounds of editing and re-writing, the author’s style remains, embracing the story.
I think that every writer sets out to tell a story, maybe influenced by his/her favorite author, genre, but in time that writer finds his own voice and style. It shines through inevitably, and the writer chooses to develop it or ignore it. In the latest, the writer would be forcing someone else’s style into his work, preventing the free flow of the story, and his growth as a writer. No one can be the next Stephen King or Dan Brown, for example. You might admire their styles, and decide that you want to write in their specific genres, but eventually, you will need to embrace your own style. How do you develop your writing style? How do you facilitate the process?
I think that there are four ways to do this, and all four relate to one another and take time. To develop a writing style you will have to:
I honestly think that this is the best way to develop your writing style, and it is a writer’s journey.
Sometimes, little bits of wisdom come from unexpected sources, that is, if we observe and listen.
A few weeks ago, I was sitting outside eating peanuts while I talked on the phone with my aunt. I noticed a squirrel looking at me and getting close. I threw a peanut on the ground and it came running towards it. The squirrel took the peanut and ran with it, not too far, and then, I saw the squirrel bury the peanut. Right away, it came back for more. This time I threw a few peanuts to the ground. The squirrel became excited running from peanut to peanut, and grabbed one. It ran to a different spot and buried the peanut. The squirrel repeated this process, and I added a few more peanuts to the pile. I noticed a Blue Jay bird following the squirrel and squawking loud. The squirrel ignored the bird and kept busy, running back and forth, until she buried all but two peanuts. When it returned for the last two, the squirrel climbed on a garden bench and slowly ate them. That was when the epiphany hit. This is what I learned.
The squirrel did not know about instant gratification. It worked hard saving the peanuts for the future, and ate only what it needed for the moment, enjoying it after a laborious effort, and from the bounty that it encountered that day. Although the Blue Jay bird was loud and annoying, it totally disregard its presence, and kept going back and forth until the job was done. Think of the Blue Jay as a symbol of obstacles and the negative influences in our path. You can apply this lesson to your daily living, finances, goal setting, and life in general; however, I applied it to writing. Many times, as writers we will have to work hard, put many books out, and work for peanuts, to be able to appreciate the rewards later. We may meet many Blue Jays in our path, sometimes naysayers or loud squawkers who will try to derail us from the main purpose, but we must ignore them and keep working hard to complete the job, and enjoy its rewards when we are ready.
You might be thinking that the squirrel only ate two peanuts and saved the rest. But let me tell you that after it ate those two peanuts, I deposited a whole bunch of peanuts on the ground, and the process started all over again. In the end, not only its efforts paid – it ate, it had a future source of food, and a whole new pile of peanuts to work on saving – the benefits compounded. I am sure that it will be very happy for some time.
Write, write, write, ignore the naysayers, work through the obstacles, and keep working towards the goal; in the end, your efforts will produce rewards, and the rewards will compound. I learned that from a busy squirrel in my garden.
photo by M.A.D.
English: Emotions Q-sort (Photo credit: Wikipedia)
Emotionally exhausted – that is how I feel after writing the first draft of a novel. I find that the first draft takes a large chunk of energy out of me. Possibly because I find myself experiencing the moods and emotions of characters as I write them, and because most of the time I do not follow a rich or detailed outline, and many times the characters drive the novel. Sometimes, I do not know the ending. This is true for the novel I am writing now – The Book of Sharon. Unlike the other two, it has brought me to a new level of emotional exhaustion, and I have found myself needing to take a longer break from it during periods of writing. Part of it is because it takes a different format from the earlier novels, but also, because it is written in different voices, besides my voice as an author. It responds to the character’s individuality, but also to at least three different tones throughout, as part of the new format. It has proven to be a challenge.
After the first draft (hopefully the end of December for this one), I need to take a few weeks off from a novel before proceeding to a second draft and rewrites. I do that for every draft after. It helps me unplug not only from emotions, but also disconnect my brain from the novel, so I can approach it fresh for the next draft. In order to go through rewrites, I need to disconnect from it as much as I can. I have to leave the writer behind close doors, and become a reader, before it goes through other sets of eyes, and a last edit.
In general, I think writers and artists have a heightened sense of emotions, and awareness of environment. When we immerse ourselves in a fictional world, we end up experiencing a lot of it, at the same time we are creating, and it could be refreshing and exhausting. This is why sometimes, writers tend to see the editing process from outsiders with cautious eyes. The question seems to be, how can this person totally understand this world I have created, if he/she has not lived in and through it? The question is the answer. Precisely because of it; because a reader is not the writer, he/she comes to the story detached, and this enables him/her to view it with unbiased sight.
I have read that the first novel (published or not), the first story a writer creates, has a lot of the writer’s experiences/issues in it, camouflaged, and many times, it responds to an internal healing process, whether the writer becomes aware of it or not during the creative process. It is because of this closeness that a writer might not see what is missing in the pages, what is not clear to the reader; to the writer it is there, in his mind and heart, present at all times, but not necessarily clear enough for the reader.
Emotional exhaustion during writing may present itself as a total mind and heart fatigue, but also as a need to retreat for a while, as well as a resistance to go back to the story and keep on writing (not to be confused with writer’s block). One must be cautious to not overdo or over extend a much-needed break.
The Book of Sharon (Half way – first draft)
What you see in the picture is setting me into panic mode. It is November 8, and I am half way to complete the first draft of The Book of Sharon (book 2 – The Dinorah Chronicles). I set a goal to finish the first draft of the novel by December 31st, and I have less than two months to do this. I have to say that I expect to finish it in time, and I will be very disappointed if I don’t (but I will). This novel presents its own challenges because of the format in which it is written (I won’t say more) – not typical. Despite the novel’s challenging approach, and a few challenges of my own, I am excited to push to meet the deadline, and will celebrate when I do. After the first draft, I usually go through 2-3 more drafts, and a final edit before publishing. It could take months before it is ready to fly. The good news is that the cover is ready (so far, unless I happen to change my mind). So it is just down to finishing the story.
Part of the issue of finishing it on time is that I had prepared a rough short outline, a very basic bulleted list of what I thought the story would look like when finished, and that changed as we speak. The story took an unexpected turn, and I am not forcing my outline on it. I want to know where it will take me. Maybe it will take a different direction, or it may be just a turn that will eventually meet my intent, who knows. I know as much as you do now, but I am very excited to see it develop some more. For now, although a bit worried, I am happy that I am half way there.
Lao Tzu, traditionally the author of the Tao Te Ching (Photo credit: Wikipedia)
When I was in elementary school, I read a quote from the Chinese philosopher Lao Tse (also known as Lao Tzu, Lao Tze, Laosi …), and it stood with me for the rest of my life. In Spanish, because that is the language in which I read it, it read “De las cosas ni lo mucho ni lo poco, en el termino medio reside el equilibrio.” Translating it to English it means, “Of things, not too little nor too much, in the middle resides the equilibrium.” I don’t know why when I read this from a book being read in the classroom that day, this quote made a home in my memory but it has lived with me since. I remember reading it over, and liking it for some reason. In a way, I think it has permeated how I lived my life, and I don’t know if that is good or bad. It sounds the opposite to “live to the fullest all the way!” But I have always beware of excess. Thank you Lao Tse?
As a writer, I applied that philosophy, most likely unaware of it. In the beginning, I wrote, and wrote, researched the craft, learned, pondered, kept learning, pondered some more, and decided to take the plunge. I became an indie and published my work. The key here is that it was not a rushed or prolonged decision; it was taken after much research and deliberation, but at a comfortable time for me as a writer. I think this quote applies to the process I experienced before self-publishing. Thank you Lao Tse.
At times, aspiring writers follow the advice “write, write, write” but that is as far as they go. They get stuck in the writing phase, and maybe do a little research about the craft, and begin doubting themselves. Fear is a normal part of the process, so is doubt. Researching and learning, while writing, will take care of those two nuisances. However, not too little nor too much (or too long) that you become paralyzed and do nothing about your future as a writer, whether that is embracing the traditional model of publishing or becoming and indie writer. At one point, you will have to find your equilibrium before taking the plunge.
The middle is where balance resides but you have to find your own middle to find your equilibrium, and decide when it is the right time for you as a writer to take the plunge. Not too little as to be unprepared, not too much as to become paralyzed by procrastination or doubt/fear. In the later, you might have to see if there are some areas where you need strength by learning a bit more, and find your balance. Once you find your equilibrium, you can make a comfortable and informed decision. You will have found your equilibrium.
This post is for aspiring writers who want to write but are fighting demons of fear and thoughts of indecision, many times due to dated beliefs. I have met people who are passionate about writing and want to publish their works but will not act on it because they do not feel ready. However, I’ve noticed some misinformation clouding their thoughts and preventing them to act. Some of it has to do with the dated concept of “the self-publishing taboo,” and with the indecision or ambivalence of not knowing which road to take – traditional or self-publishing. It is true that they might not be ready, but only because they are not well-informed. While time goes by, and indecision grows, passion is dormant.
It is true that the publishing industry is undergoing a fast and furious transformation, as we speak. However, it has broken many chains and developed other pathways giving new choices to writers. Despite the turmoil (different in many countries), one thing is for sure – the old model is broken, and change will be continuous from now on. Aspiring writers who do not embrace learning about the changes and believe only one side of the story may be missing opportunity but only because of lack of information or failure to research and learn. By learning as much as they can about the many venues, pros and cons, writers broaden the picture, and can make a better decision. For some, traditional publishing will be best. Other writers will discover that self-publishing fits more with their personality, work ethics, and writing goals. It is impossible to discover this if one does not research both industries. Following a crowd (any crowd) while misinformed is not the answer.
Writers who embrace learning do not rush into a decision, but consider all sides and possibilities. When they know the path that best suits them, they embrace it. They have no doubt that they have made the best decision, they don’t regret it, and become free of preconceptions and the damage that misinformation causes.
I want to distinguish between self-publishers and independent authors/publishers. The later group is well-informed, have clear and specific goals, and treat their craft as not only their passion because they approach it with entrepreneurial spirit, and with a long-term vision. This is the case because they did their due diligence well. They know what they want, they know were they are headed, and are happy with their decision – they are free. It is this freedom that lets them deal with the consequences of their decision, despite of whatever the industry is doing at any particular moment. It is not about the industry anymore; it is about their vision. They are free because the industry does not dictate what their vision must be. They are free to act, to write, to be.
Netscher, Caspar – The Man Writing a Letter – 17th c (Photo credit: Wikipedia)
In writing, the topic of exploring genres generates many opinions. On one side, the traditional views advice us to pick a genre and stick with it, while other less conventional views encourage exploration of various genres, until you settle on one. Other writers believe that you should write what you want, when you want. I think it all depends on your long-term goals as a writer.
What you want to achieve down the road, and how you view your writing career in the future will determine many of the decisions you make today about your writing. Most aspiring authors who are serious about writing as a career, are mindful of it, from the beginning. No one picks a pen and paper one day and says, “I am going to be a writer.” At least I hope not. There is some thinking or dreaming, a desire that turns into research about the topic, consideration, learning, and planning. Whether you prepare early in life and follow that road after high school, or whether you know the path but other life circumstances take you away from it, there is always a process that brings you back to decide, research, learn, and plan. For example, someone who wants to take advantage of the technology and writing venues of today to make quick money will bypass the process, and self-publish in a haste whatever they want just to make a quick buck. If not profitable, the person will abandon the endeavor. I wanted to make this distinction because how a serious writer approaches his/her career is very different from how a person who wants to publish a few books to make quick money does it. This shows in the writing, the reader can tell.
The first thing a serious writer will consider, besides publishing traditionally or self-publish, is what genre(s) appeal to her/him. Most likely, the aspiring author will read and learn about those genres, and mentally make a decision to write or not write in that genre. Most likely, we write what appeals to us. Then the aspiring writer considers the dilemma of publishing – traditional versus self-publishing. Most likely, that will lead to learning and researching before deciding. If the writer wants to follow the traditional path of publishing, he/she will stick with a genre for a while. Many times, will change pen names to write another genre. A writer who decides to self-publish will stick to a genre in the beginning but might end up writing in other genres that interest him/her. The pressure of traditional publishing is off as far as selecting another pen name for different genres, so the writer makes a decision about this in a way that works best for her/him. The goal is a long-term writing career, so there is no need to make quick decisions or judgements as far as following genres, trends, because the goal is not quick money but establishing his career path and growing in it.
Genre hopping without a plan/goal in my opinion is risky for a writer, especially if the writer has not decided yet if traditional publishing is what he/she really wants. A few successful self-published authors have gone back to the traditional model once they have been discovered and offered contracts. However, the reason they were discovered is because they managed to write successful books in a particular genre, and they grew in it, resulting in a decent amount of readers. Now, these authors have the freedom to publish traditionally, and self-publish on the side, depending on their contracts. On the other side, many known best-selling authors who published traditionally, are abandoning this model, and are self-publishing. The issue of genre matters whether you are starting out or have written for a long time. It does not matter so much if you are not serious about a long-term writing career, since the goal is to follow the trends and make money. Don’t get me wrong, serious writers want to make a living too, but they hold their craft at a different standard. The craft becomes priority, not the money. Watch the interviews of best-selling authors who have been writing for some time, and you will see that most of them did not set out to write to make money; they did it because they had a passion for it.
Consider your long-term goals as a writer at the same time that you are considering genre hopping.
I have not done an inspirational picture post in a while, and since it is Wednesday, hump day, why not? These, I took around my home. I gave them titles to inspire you.
LIGHT AS A FEATHER
Photo by MAD
AMONG THORNS, I STAND PROUD
Photo by MAD
AS ABOVE, SO BELOW
Photo by MAD
I hope you enjoy these and wish that they inspire you to write/create.
Yesterday, I was thinking about all the themes in Moonlit Valley, my first novel. Throughout, I could identify many underlying topics such as love, trust, spirituality, the paranormal … and many others; however, I wanted to identify a core theme, and I think that if I was going to select only one theme, it would have to be the idea of Change.
In Moonlit Valley, the idea of change carries all the other themes, and it makes itself present throughout the entire story, up to the ending. Change is never easy. It may be good or bad, but never easy. Why? Because it shakes our foundation, causing us to react, and pushes us forward. Even when we resist change, we have to react to it – whether for better or worse.
When change manifests (or we bring it about), inevitably, we become engaged in body, mind, and spirit, as well as emotionally. Our reaction and action will engage those aspects in different degrees, and how we deal with each part, will propel or slow us down. Many times, we “hover” but not necessarily resist change; sometimes, hovering is what we need – a truce – to be able to proceed with the proper action for us. Whether that time is short or long does not matter, as long as we recognize the need for it. It is after the truce, that transformation occurs.
Because change is never easy, we should prepare our mind, body, and spirit for it and through it. We do that by minding each aspect, and doing what is needed to promote its wellness, as an example, you would nourish your body by eating well, healthy foods, and exercising it, and avoiding unnecessary stress situations, patterns, or habits. Nourishing the mind and spirit as well, will ease transformation. Many times, change brings with it a sense of spirituality or spiritual transformation, of growth and connection. How we deal with change, during the transformation, will determine our growth, or stagnation – but it is always up to us. We are in control of our emotions.
I leave you with a small excerpt from Moonlit Valley.
“Loss changes your perception of things. It sweeps the hallways of your mind and dusts off your most precious memories. It forces you to open the doors of rooms closed for a long time and peer into your soul, looking for the last ray of hope, of faith. The hope you desperately need now, knowing that at one point, you had put it somewhere and forgotten about it. When you find it, you grab a hold of it, tight, fearing that when you wake up tomorrow, it could be gone. Tomorrow arrives and you realize that although in a faint state, it is still there, and you hold on to it again.” – Rose Carrigan
MOONLIT VALLEY
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