writing a book

What Parameters Do You Have As a Writer?

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Photo by M.A.D.

What parameters do you have as a writer?

Every writer has a style that continues to develop over a lifetime of writing. Writing embodies more than putting pen to paper. Every writer has do’s and don’ts that are related to work ethic, style, personal development, goals, and even personality. These are parameters or boundaries that the writer establishes, and many are non-negotiable. As an example, some writers would not consider publishing the traditional route, and they prefer to continue an independent path to their creativity. Other writers would prefer to skip the public appearances or hoopla, although I think this group is a minority. From deciding to stick with a genre to venturing into another, and other considerations, the writer has developed a set of values and principles that will determine most of the career path. It might not be set on stone, but this is the fuel that produces the spark that moves the engine. That is why when it comes down to becoming a writer, there is no one size fits all. There are industry standards, of course, but when it comes down to creativity, each writer has a “code of conduct/ethics,” a system of values of sort, that serves as a guiding light, a beacon for the pen.

Cloning never ends up well, and it doesn’t mean that a writer cannot experiment in the latest genre appeal or what is moving the market at a particular moment; however, eventually a writer will come back to the parameters that were established and are deeply rooted. Can a contract sway the most devoted indie? Maybe or maybe not. It might depend on how deep the writing shrine is rooted and of many other factors, from personal beliefs and values to more work-related, practical, and concrete likes and dislikes. Sometimes, the what-if’s play a role, and other times, it is all a game of roulette, but in the end every writer is its own cliche or its own refuge, although the adage says that no man is an island.

A little mind exercise.

Can you spot the 9 cliches in this blog post?

How do You Measure Success as a Writer?

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Photo by M.A.D.

At first glance, it seems an easy question to ponder, however, the more I think about it, the deeper it goes, especially, if you have been writing for many years. Expectations change with time, experience, and age. The young writer is full of dreams and “youthful expectations,” while a more mature writer has navigated the murky waters and has defined and redefined the path to success, or even what success means now, in comparison to what it meant when the writer wrote/published the first book.

Success is a personal measure, however in contrast, it is measured by others, and labeled. For a writer, success might be measured by income generated by the books, other related sales, or by the number of books written. For other writers, recognition, fame, or the validation of a name is very important. Comments, reviews, engagements … all of this might spell success for a writer if that was in the “personal definition” of success the writer had in mind. For other writers, money, fame, numbers … are not as important, and this group writes for the love of it. Their dreams are not crushed by external factors. However, as humans we need a certain degree of recognition, whether that is from our inner circle or external, a spouse, a friend, or a reader that happened to give of his/her time, and left a review, or a comment. Even as children we yelled, ” Look Daddy, look at me.” We might not want the fame, but we want the recognition. The socio-economic background of a writer also has an influence in the type of goals and expectations. Life experiences, self-esteem, all of it, are elements of influence when defining success, whether as a writer or any other career.

It is when the personal measure of success collides with the external measure of success that there is conflict, that is, if the writer’s expectations are in line with the external measure of success. A writer who hasn’t sold many books might view the work as failure because the definition of success included sales, income, number of readers, reviews …. At the same time, the outside world would not consider the same writer a successful writer. However, if the same writer manages to write a best seller the next year, for example, both “personal measure” and “external measure” are at peace, and so is the writer. It doesn’t matter if that same writer had already ten or twenty books under his/her belt. Going a step further, those books might have found new life now, new readers, and might be included (or not) in the vault of success by default.

Mind games, circumstantial, true desire? How do you measure your success as a writer? What has more weight for you, internal or external factors?

Missing in Writing

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An update.

One thing that I can say for sure is that writing never becomes easy. I have been plugging and unplugging, on and off, in relation to my book in progress, The Girl Who Could Not Love. This never happened before. On the contrary, most books have been a flowing delight to write. I have never experienced a certain distance or disconnection from a story before. It truly puzzles me. I have made some progress, more like the progress of a tortoise on a ten-mile run. I am not sure of what it is holding my pen hostage, but it feels like I am missing in writing, as if a degree of the angle is missing. And that is mostly why I have pulled the plug a few times, give it a rest, and try to restart the engine.

If I were to compare it to an engine, I would say that my pen is misfiring (my husband is a mechanic; terminology just sticks with me). Right now, I have ended a sabbatical in relation to my novel, with the hope that the pieces have come together at the right angle, at least in my head, and that my focus has sharpen. It was my intention to have a release by the end of the year, but good intentions do not fill the inkwell, neither do they publish a book.

The missing link is out there inside my head, and I just have to find it and make the connection. Because I am no James Patterson, prolific and able to work on several stories at a time, a well-oiled writing machine in my opinion, I will have to approach the story from several angles until I find the right one, the one that fits. Scrapping it would be too painful to bare at this point. May Parker be with me.

Ghostly Lines

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I guess this post is inspired by the change in weather and the crisp air …

Photo by M.A.D.

As a writer, I am attuned to inspiration, and it can come from anywhere, anytime, anyplace. An overheard conversation between strangers, a dream, headlines, a person, and sometimes, as lines that pop up in my mind out of nowhere. I call these ghostly lines because these have no context or previous reference, just appear. It may be a phrase, one word, a brief image that suddenly comes, or a banner of words. If there is pen and paper nearby, I immediately make a notation; if not, I make a point to remember as best as I can. Sometimes I do, sometimes I do not. I keep these words or images filed in a little green box for future use. I figure, this came to me for a reason.

For example, once a brief image of a well-dressed young woman from another era suddenly appeared in my mind, and she was saying to someone, “Even the poor have gardens.” I briefly wrote the scene and the line and filed it in my green box. This time, I was in my car, my husband was driving, so I was able to take out a notebook I keep inside my bag and wrote it down. It didn’t make sense at the moment.

Do not ignore your random thoughts and ideas. Those may come suddenly and without reason. Write those because you might be able to use them one day. These might inspire a story, a chapter, or even the ending of a story, you never know. Take these ideas for what they are – useful random bits and pieces of inspiration. Never underestimate the power of your pen.

Writer, Don’t Take your Words for Granted

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Photo by M.A.D.

Most people I have talked with seem to misunderstand what a writer does. Either they think that words are cheap a dozen or that writing a story is easy. A common suggestion is, “Why don’t you write about this or that?” As writers, we tend to draw inspiration from many places, but inspiration is all it is. The original idea must mean something, entice the pen, allure us, arouse our curiosity in order to proceed into the crafting of a story. Sometimes, we agonize over a character, a chapter, or even a single word. Although these suggestions might be well intended, I compare it to asking a farmer how many acres he/she has; you just don’t go there. It is like me asking you how much money is in your bank account.

For some, writing a book is all about money, for others, about fame and recognition, but for a true story lover, it is about everything. That might be hard to explain. If you have ever had an encounter with writer’s block, you know how soul-sucking it is, and how debilitating it is to the mind of a writer. A torment that ink and paper cannot cure. Only the return of the missing word can alleviate the tormented heart and soul of the afflicted writer. There is no time or expectation, only hope and desire. It is a mystery of mysteries, a black hole that consumes words, pen, and writer, for time does not exist anymore, only days without words, empty pages, a crusty dried pen, and innumerable cups of coffee. Days come and go blending into one another, a timeless punishment by the muse who refuses to sprinkle the miraculous ink that will cure the ailment. Until one day … And until then, making peace with writer’s block is a sensible solution.

Book Sales – Discouragement or Passion Builder?

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Photo by M.A.D.

Writing and publishing a book does not result in immediate sales. If you are an independent writer, you know that. For most writers, the treasure chest doesn’t open wide enough, and if the only motive is to make a significant amount of money, a dose of reality can knock down your pen. Expectations and motive when writing and publishing a book will determine the level of discouragement when sales do not materialize soon enough. The definition of success will also correlate to those two. Do you consider a success writing and publishing the book (s) or will a lack of sales point towards failure? Again, motive and expectations will determine how a writer views his/her success or failure at the craft, and how this will influence future works.

For many writers, absence of sales is enough to discourage them, hence why many never publish again. Money or recognition was a strong motivator, maybe the only one. In the absence of it, writing does not make sense anymore because it is not profitable. Other writers view the craft as a venue to tell a story, to inspire others, and even as an outlet for their mental and emotional health and enjoyment. For this group, money becomes secondary and not a goal. These are the writers that have been writing for many years and keep at it, even when monetary rewards elude them. Their passion for writing supercedes any monetary value or desire for fame and recognition.

In a now very saturated market, those who remain have realized and understood a bigger why, and in the process defined their own success. In that sense, book sales become a sickle and a passion builder.

Amiel’s Journal

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Photo by M.A.D.

Here’s a little jewel from the past, Amiel’s Journal. I picked up this book years ago at a flea market, and now I am making the time to finally read it. It was among a large quantity of books spread on the ground, of many topics, many of them old, and this one caught my eye. It was originally written in the mid 1800s although this particular edition is from 1863 and is in very lovely, almost pristine condition. It amazes me how a little book like this one can survive more than a century, 159 years to be exact. This is volume two. I wished I had located volume one as well.

It was written by Henri Frederick Amiel, a Swiss moral philosopher, poet, critic, and a traveler. However, it was translated by Mrs. Humphry Ward (Mary Augusta Ward), a British novelist who wrote under her married name. She was a prolific writer but also a critic, journalist, memoirist, very active in society, and believe it or not, was actively against women’s right to vote. That truly surprised me coming from a very accomplished woman at that time. Puzzling.

As I read it, there are so many juicy bits found in its pages. If I were to be harsh, I would say that the book is Amiel’s mid-life crisis bordering in depression and disgust; however, as I read, I understand it is so much more than that. I have laughed, but also found myself saying out loud, “Oh no, he didn’t.” Of course, one has to understand the cultural and societal views of the times and read it under that context. For example, on page 13, he logs on his journal a few lines about what he is reading at the moment. Then, he expresses what I thought was a brutal book review, ouch! On page 16, on another entry, the reader can appreciate his understanding of the many characteristics a woman possesses, and he calls her “monstre incomprehensible, delight and terror of men.” More than once, he talks about Christianity at that time, and his view of Christianity (as a religion) permeates throughout. He writes, “The religion to which Jesus professed must be disentangled from the religion which has taken Jesus for its object.” I understand his sentiment, what he is trying to say, although I not necessarily agree. In my opinion, Jesus is Christianity, but Christianity does not necessarily reflect Jesus, on this day and throughout history. Maybe that was his point after all. There is so much more inside this journal. The fact that it is the year 2022 and I am writing a blog post about what this gentleman wrote on his diary over a century ago blows my mind.

I am enjoying this little book immensely. Eventually, I will be offering this jewel in my shop. Very old books deserve a longer journey.

What are the Signs?

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Signs are everywhere, that is, if we take the time to see and listen. Have you ever heard someone say, “Signs of the times?” It refers to characteristics of a particular era or present time, or even alluding to certain events that are expected to happen, such as “end times” or other. Signs could also be warnings given to us from above before something is about to happen or we are about to make the wrong decision. Different from clues, which take us forward, from one to the next and so on, in order to reveal something or truth, signs serve more as a beacon, a warning just on time.

I have had signs before something is about to happen. For example, on one occasion, I gave a ride to a coworker who was sabotaging me at work, unbeknownst to me. A small glass blown angel that I had hanging from my backing-up mirror, suddenly broke in pieces and fell just as this person sat in the car. I could not explain why and how it happened because it was well secured with a sturdy chain, and the chain remained intact, not broken. Although I found the incident unusual at that time, I ignored it. It was a warning from above, which I understood later on.

In writing, sometimes we use signs and clues when creating a story. Mystery thrillers are a good example. However, one should separate one from the other. Clues take you to a destination, signs warn you about it. Many people refer to these as one and the same, but I view these as different in purpose. I made use of clues in my novel Moonlit Valley, as the main character Rose Carrigan follows a path that reveals the truth. I made use of signs also, such as a warning given to her by Black Hawk, one of her protectors. Signs and clues are sparingly used throughout my novels, which deal with the topics of the Divine and the supernatural. As a writer, I try not to center the story solely on clues and signs. I think these should enhance the story not become it.

Now, if we could only see a butterfly on top of the bird, we could make up a story.

On Writing – The Demise of Self For the Good of All

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Most heroes accept their calling, even when they might hesitate at first. They choose to follow their purpose. Their purpose eventually becomes their identity, and if that purpose fails, ceases to exist, even momentarily, the hero/main character loses her/his identity. When the purpose , the calling, the birthright becomes the goal/the existence, it becomes more important than the hero or anyone else, and it usually translates (ironically) in the denial of self, the neglect of loved ones, all for the good of humanity – the ultimate goal. Just like a fire, it consumes the hero’s soul, and takes over everything around her/him quickly. Sometimes the hero finds balance, sometimes not; however, most likely, the hero finds the self along the way.

Photo by M.A.D.

On Writing – Resurrecting a Character

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Sometimes, it happens that a character is brought back, whether from the dead, or back in a series. When resurrecting a character there is always motive, a purpose, and that motive has to be clear, defined, and essential to the story, otherwise, it might not make sense or have an impact in the story.

Why bring back what was once gone if there is no agenda? It is a risky maneuver for the writer, one that can upset readers more than the demise itself. Of course, for fans of the long gone soul, it is a heavenly gift, like breathing life into the pages once more. For the writer, a necessary duty, a risky endeavor, a solemn event.

Photo by M.A.D.