I think that writers can be pragmatic, but also drama queens set free in their own worlds. Not only do we deal with our character’s emotions but also our own as we write these characters throughout the story. Sometimes, it becomes overwhelming, other times, cathartic. In my experience, I have found that sometimes a roadblock in writing goes deeper than the pen I am holding. That pause, that resistance, comes from an emotion that I might not want to acknowledge, usually indirectly. What might seem at the beginning a distraction or even a mild case of writer’s block, is no other than an emotion that does not want to be recognized for what it is, whether a painful memory, a weakness, or a more deep-rooted emotion. It resists the pen however it was triggered. Sure, a writer can always go around it and find an excuse for the pen; however, it won’t be the last time.
Dealing with our feelings as we write will eventually release the words that have been held hostage, and result in a better flow of the story. Many times, acknowledging that the emotion is present might be enough. Sometimes, characters become mirrors; most of the time, they are just beings from the imagination being brought to life by a passionate pen. Other times, the ink takes a bit longer to dry.
This post is about my feelings on AI (artificial intelligence) and the future of writing and publishing. First, I should disclose that I am biased, and also old-school. I am more like the character Will Smith plays in I-Robot. Of course, when new inventions have been introduced in the history of humankind, there has been distrust, inquisition, questions, trepidation, and so much more. Much has been said about AI, especially, during the past year, and by now most of you must be familiar with some applications in technology, including writing. My concern is with the future of writing and the quality of content, as well as the increase on an already saturated market full of the good, the bad, and the ugly. Must all be doom and gloom? Of course not. The same was said about print on demand and independent publishing, and here we are today. Saturation? Yes. I am sure that there are many benefits to AI, probably across and extended to all endeavors. Going back to the topic of quality and quantity, AI will be a best friend to those who want to make a quick buck while saturating the writing market with stories/content written at a fast pace and without care or soul.
That being said, so many questions arise, at least on my mind.
Will the publishing giants favor their own mass-produced stories?
Will freelance writers compete with AI on speed and delivery or will they embrace it?
Will they be paid less for their originality? What are the parameters for originality when it comes down to AI? Is it possible for AI to commit plagiarism?
Will readers appreciate a book written in what will become the “classical way” or will they become consumers of fast stories that might cater to their need for “more and quickly, please.”
Will the quality of stories suffer, or will it challenge writers? Will readers even notice?
Will AI become a favorite tool of writers or an archenemy?
Will it help with writer’s block or make it worse?
Will writers who care for quality and not quantity feel threatened by AI?
Will human writing even exist in the future or will “Robotina” kill the writer?
Of course, it is too early to tell, and I don’t have a crystal ball on my desk. As for this old-school writer, I believe that words evoke feelings, and that might or might not matter in a not-so-distant future.
Many years ago, I was watching a best-selling author being interviewed and she was asked if her husband read her books. She answered no, and proceeded to explain that he was very supportive and encouraging of her career, however, he had never read one of her novels. The interviewer seemed a bit puzzled; however, I think that in most cases, a spouse or significant other, even family and very close friends, do not jump into the reader’s pool right away, or ever.
This is something that for some writers is a sensitive topic, and they feel hurt when the people closest to them seem to disregard their books. It happens more than we might admit, in all fields/careers. Personally, I don’t think that if a close person has not read my books that it translates into not caring or a lack of support. Many times, people are not avid readers, or just don’t have enough time, or interest in the genre. If my work is treated with disdain or uninformed harsh criticism, (happened on one occasion, and by a person who I thought would be very happy for me) then, I view that as a different issue that is rooted in that person’s issues and not in my work. There is a distinction to be made.
As human beings, it is natural to expect the support and cheers of the people who matter most to us, and most likely, these are the same people who have supported us in many other ways throughout our entire life, so when something that is very dear and important to us doesn’t seem to have equal importance in their lives, we tend to feel hurt. Support comes in a variety of ways and people show their support differently. For example, my husband has not read any of my novels, but he has been very supportive in many ways, whether that is flashing a big smile when I publish a new book, economic support, giving away copies or promo cards to people he knows and I don’t, and many other ways. Do I mind that he has not read my books? Absolutely not. Having his support is having him on my team, and that is valuable to me.
For writers, sometimes just a caring or congratulatory word suffices; it shows that the person acknowledges their effort and is present, even if that person never reads one page.
Every writer has a style that continues to develop over a lifetime of writing. Writing embodies more than putting pen to paper. Every writer has do’s and don’ts that are related to work ethic, style, personal development, goals, and even personality. These are parameters or boundaries that the writer establishes, and many are non-negotiable. As an example, some writers would not consider publishing the traditional route, and they prefer to continue an independent path to their creativity. Other writers would prefer to skip the public appearances or hoopla, although I think this group is a minority. From deciding to stick with a genre to venturing into another, and other considerations, the writer has developed a set of values and principles that will determine most of the career path. It might not be set on stone, but this is the fuel that produces the spark that moves the engine. That is why when it comes down to becoming a writer, there is no one size fits all. There are industry standards, of course, but when it comes down to creativity, each writer has a “code of conduct/ethics,” a system of values of sort, that serves as a guiding light, a beacon for the pen.
Cloning never ends up well, and it doesn’t mean that a writer cannot experiment in the latest genre appeal or what is moving the market at a particular moment; however, eventually a writer will come back to the parameters that were established and are deeply rooted. Can a contract sway the most devoted indie? Maybe or maybe not. It might depend on how deep the writing shrine is rooted and of many other factors, from personal beliefs and values to more work-related, practical, and concrete likes and dislikes. Sometimes, the what-if’s play a role, and other times, it is all a game of roulette, but in the end every writer is its own cliche or its own refuge, although the adage says that no man is an island.
At first glance, it seems an easy question to ponder, however, the more I think about it, the deeper it goes, especially, if you have been writing for many years. Expectations change with time, experience, and age. The young writer is full of dreams and “youthful expectations,” while a more mature writer has navigated the murky waters and has defined and redefined the path to success, or even what success means now, in comparison to what it meant when the writer wrote/published the first book.
Success is a personal measure, however in contrast, it is measured by others, and labeled. For a writer, success might be measured by income generated by the books, other related sales, or by the number of books written. For other writers, recognition, fame, or the validation of a name is very important. Comments, reviews, engagements … all of this might spell success for a writer if that was in the “personal definition” of success the writer had in mind. For other writers, money, fame, numbers … are not as important, and this group writes for the love of it. Their dreams are not crushed by external factors. However, as humans we need a certain degree of recognition, whether that is from our inner circle or external, a spouse, a friend, or a reader that happened to give of his/her time, and left a review, or a comment. Even as children we yelled, ” Look Daddy, look at me.” We might not want the fame, but we want the recognition. The socio-economic background of a writer also has an influence in the type of goals and expectations. Life experiences, self-esteem, all of it, are elements of influence when defining success, whether as a writer or any other career.
It is when the personal measure of success collides with the external measure of success that there is conflict, that is, if the writer’s expectations are in line with the external measure of success. A writer who hasn’t sold many books might view the work as failure because the definition of success included sales, income, number of readers, reviews …. At the same time, the outside world would not consider the same writer a successful writer. However, if the same writer manages to write a best seller the next year, for example, both “personal measure” and “external measure” are at peace, and so is the writer. It doesn’t matter if that same writer had already ten or twenty books under his/her belt. Going a step further, those books might have found new life now, new readers, and might be included (or not) in the vault of success by default.
Mind games, circumstantial, true desire? How do you measure your success as a writer? What has more weight for you, internal or external factors?
I am writing this blogpost from the point of view of the evolution of the writer as opposed to how a character evolves in the story. Throughout the story all characters evolve, change, as experiences and challenges are introduced by the writer. The interaction of the characters and the different situations the god-pen writes for them makes this evolution possible. Where there is no change there is no story, it comes naturally. In a series, this process is more evident and so much more engrained in a character, not only because of the many situations a character goes throughout a series, but also because there is the fictional pass of time. Most likely, the character is very different from the first book until the end of the series. This is also where the writer’s evolution takes place.
From that first concept of a character until the end of a story or series, the writer has been learning, feeling, and even listening to the needs of the characters. Sometimes, a character will fight a writer’s pen, and the writer’s best decision for this character will entail listening to it, and analyzing the particular issues that are present. At that moment, not only the writer has changed, but the original intention as well. As characters mature and go along in the story, so does the view and “feeling” the writer has of them and for them. A writer that doesn’t “feel” a character has not listened to it. A stubborn pen is worse than a stubborn character.
At the end of a story/series, a relationship, a connection has been attained but also, there has been a mutual understanding, a symbiotic evolution.
One thing that I can say for sure is that writing never becomes easy. I have been plugging and unplugging, on and off, in relation to my book in progress, The Girl Who Could Not Love. This never happened before. On the contrary, most books have been a flowing delight to write. I have never experienced a certain distance or disconnection from a story before. It truly puzzles me. I have made some progress, more like the progress of a tortoise on a ten-mile run. I am not sure of what it is holding my pen hostage, but it feels like I am missing in writing, as if a degree of the angle is missing. And that is mostly why I have pulled the plug a few times, give it a rest, and try to restart the engine.
If I were to compare it to an engine, I would say that my pen is misfiring (my husband is a mechanic; terminology just sticks with me). Right now, I have ended a sabbatical in relation to my novel, with the hope that the pieces have come together at the right angle, at least in my head, and that my focus has sharpen. It was my intention to have a release by the end of the year, but good intentions do not fill the inkwell, neither do they publish a book.
The missing link is out there inside my head, and I just have to find it and make the connection. Because I am no James Patterson, prolific and able to work on several stories at a time, a well-oiled writing machine in my opinion, I will have to approach the story from several angles until I find the right one, the one that fits. Scrapping it would be too painful to bare at this point. May Parker be with me.
Thirteen years or so ago I decided to follow a long-lost dream, publishing my first book. Around the same time, I started blogging about my journey as an independent writer, as well as capturing and renewing the dilapidated soul of an old farmhouse while moving to another state. While the transition took some time, my intention remained the same. My intention was at that time, to not only share the journey but to inspire other fellow writers and readers, and to share what I had learn over the years.
Time does go by quickly, and in retrospect, I think that I accomplished what I set out to do and more; however, the journey continues, and with it the desire to inspire others through a few written lines on this blog, and my novels. This journey brought into perspective sweet challenges, tons of education and effort, as well as understanding myself as a writer, and on that last one, I am still doing so. On the home front, the soul of an old farmhouse has been restored, and now it must be refined. The writer feels the same way. For the DIY lover, this blog is a friendly place as well. I have made my best effort to maintain it simple and honest, not fussy or too “crafted.”
During this journey, I published five novels, and I am currently writing the 6th. The pace has been dictated by the story, and I have tried to be the best steward of words I could be. It hasn’t been easy, but I hope that throughout the years, if you have visited this blog, that you have found at least a bit of what you were hoping to find in it. Many of you have been around for as long or longer than I have, and it has truly been a pleasure to not only share this tiny dot of cyberspace but to read many of your blogs and comments as well. It has been my delight, and I hope that I have reciprocated in some way.
So now what? I am at peace with the pen, my pen that is. I don’t know what the future might hold, but I hope that I can continue to share this journey, and if along the way I am able to inspire a soul, then, I have been of service. For now, part of my work is done, but it is not the end of the road.
Call it writer’s block, a dry spell, or anything else, it happens to many writers. It is the dreaded ailment of the pen, the disheartenment of a writer’s soul, without notice, unexpectedly and untimely. It is that break in the connection with the story, like a broken bridge that is hard to repair. Whatever prompts the disruption is unique to the writer, as it is the healing process, the timing when writer and story will be in communion once more.
Writer’s block might feel as falling out of love with the story, or not finding the right angle to continue writing. It might come in the form of disillusion with the story or even the craft, a broken heart of sorts that refuses to pump ink. Waiting and longing for the magic moment only seems to make this disease of the inkwell more acute and prolonged. Ironically, its only cure seems to be time. Drip, drip, drip … the ink flows again.
I guess this post is inspired by the change in weather and the crisp air …
Photo by M.A.D.
As a writer, I am attuned to inspiration, and it can come from anywhere, anytime, anyplace. An overheard conversation between strangers, a dream, headlines, a person, and sometimes, as lines that pop up in my mind out of nowhere. I call these ghostly lines because these have no context or previous reference, just appear. It may be a phrase, one word, a brief image that suddenly comes, or a banner of words. If there is pen and paper nearby, I immediately make a notation; if not, I make a point to remember as best as I can. Sometimes I do, sometimes I do not. I keep these words or images filed in a little green box for future use. I figure, this came to me for a reason.
For example, once a brief image of a well-dressed young woman from another era suddenly appeared in my mind, and she was saying to someone, “Even the poor have gardens.” I briefly wrote the scene and the line and filed it in my green box. This time, I was in my car, my husband was driving, so I was able to take out a notebook I keep inside my bag and wrote it down. It didn’t make sense at the moment.
Do not ignore your random thoughts and ideas. Those may come suddenly and without reason. Write those because you might be able to use them one day. These might inspire a story, a chapter, or even the ending of a story, you never know. Take these ideas for what they are – useful random bits and pieces of inspiration. Never underestimate the power of your pen.
Inkspeare 