On Writing Prophecy

All tips I share on this blog are based on my experience, on what I have learned in my journey as a writer. I understand that every writer has her/his own road to take, own style, writing goals, work ethic … so what I share here is based on my perception, as far as my pathway takes me. When I wrote The Dinorah Chronicles, I did not plan to include a prophet in the series. This character appeared unexpected, and pretty much wrote itself – a child named Jenna Callaway, who was confused and scared about the gift of prophecy. Jenna did not know she had this gift. Dinorah Sandbeck, the main character in the series, helps her develop her gift, and eventually, the last prophecy comes through Jenna in the last book- Sunrise Souls. At first, Jenna wrote (in Latin) the words that she heard in her mind, without understanding the meaning. She kept it a secret, until she met Dinorah in book 2 of the chronicles. She delivers as few prophecies throughout books 2 and 3 (The Book of Sharon/Sunrise Souls).

Other than thinking that the wording/content should sound ancient/old, I did not have any other guidelines on how to write these prophecies. I relied on the deep connection that I felt with the story and the character throughout the series, and this is how these prophecies came about. These wrote themselves, and by that I mean that the flow of the words through the pen was smooth, not forced or over developed by a thought process. Here is a short excerpt of Jenna’s first prophecy. It is about a page long, and the rest of it can be found on The Book of Sharon on page 95.

“Write; write these words so the lost can find them, for they are searching in the days when love is scarce and the ego consumes the spirit. Do not think that I have abandoned thee, for when the heart searches, the soul is ready to receive. I am close to every soul of my creation. I do not cry with the vane, but with the humble, the seeker of truth, and the pure in spirit. When they cry, I console. Their path I make soft, their days I turn bright; not even the stars can equal in light. For the light I give is of the spirit, and the love I pour covers their scars. The heart I console, the mind I heal, the spirit I refresh.” (The Dinorah Chronicles – The Book of Sharon)

As a writer, I wish I could tell you more on writing prophecies for a story, but I did not follow any specific guidelines or writing rules, other than feeling connected to the story and letting the pen flow freely, as it wished. In my experience, there has to be a connection when writing a story, otherwise the story does not flow, feels forced, and sometimes, I cannot write even a word if I feel the connection is missing. There are many ways in which you can connect with your story, and as personal and varied as writing is for you – writing everyday or when you feel it is the best time of day, clearing your mind before you write, whether that is exercising, taking a walk in nature ,,, relaxing, or anything that feeds your inspiration. In my case, I love to observe nature, and I always say a short prayer before I write. Whatever fuels your pen, and makes you closer to your story. Sometimes, it is just simplicity in our lives.

The Book of Sharon (Book 2 The Dinorah Chronicles) is available in eBook and paperback via Amazon.

The Dinorah Chronicles – Ramblings of the Spirit (Book 1)

RAMBLINGS OF THE SPIRIT

Ramblings of the Spirit is the first book in The Dinorah Chronicles trilogy. It is the introduction of the main character, Dinorah Sandbeck, half-Human, half Anarth. It is also the door to the trilogy, presenting her origins, her life so far, her birthright, and her quest. It is set 19 years after Moonlit Valley, the novel that inspired the chronicles.

When I wrote Ramblings of the Spirit, I was not sure where I was headed with the story. I knew it was about the main character’s quest, however, there was no outline, as it is usually the case when I start a novel. This novel introduces Dinorah’s secret world, her birthright, as well as her personal battle between self, love, and duty.

When I wrote Moonlit Valley, I did not intend to spin off a trilogy from it but it happened that way. It was not planned, although it seemed a natural development once I started to write Ramblings of the Spirit. Dinorah’s first struggles with her birthright begin to be defined on this first book. It is reflected on this passage, a message for Dinorah at the time she did not understand her quest.

“Your heart is troubled, your mind seeks truth, your soul aches for it, but you are afraid to look for the answers. Why do you ask then, if you will not search deep enough for the truth to reveal itself? I give you freedom to follow your path, the path created for your soul, or to take your own road-turn. There your freedom rests, in the moment when your realize the difference and start your journey. Are you willing to sacrifice your own perception for the journey that will take you to the perfect place? Your human form limits your perception, but the soul knows the path, and you can perceive your soul’s whispering. I guide you; it is up to you to search deeper into your soul and hear the whisperings, the roadmap to your becoming. Only when you know that, will you be free, and there will be no stone in your path, or rope on your hands that will prevent your spirit from being free. Know that you, only you, can do this, and that is where freedom lives.”

Writing this novel was exciting as it was the first book in the trilogy, and I was discovering this new world along with the main character. I would be lying if I don’t admit it was thrilling, from a writer’s point of view. I admire authors who mainly write series because it is not an easy endeavor. There are many elements to consider between books – time lapse, aging and progression of characters, dropping and creation of characters, and so many other elements important for the progression of the central story which is weaved throughout the series, and of course, each book is a separate story in itself. I think a single story is easier to develop than a series.

The last book in the trilogy is called Sunrise Souls, and it is the culmination of Dinorah’s quest, and the fulfillment of it. Throughout the trilogy, Dinorah has to confront evil in its different forms, from subtle to scary. For those who might be interested, all my books are found on Amazon in paperback and e-book formats. There is a direct link on the Novels tab of this blog.

Secondary Themes

When I wrote The Five-dollar Miracle, I recognized the main theme as being faith, and much like the story I am currently writing – The Girl Who Could Not Love – the story developed as I wrote, with no preconceived ideas or outlines. However, as I wrote, the main theme became obvious. Usually, one expects a story to follow or develop around a main theme, and a few secondary themes appear throughout, but mostly, the main theme carries the story to the end. With The Five-dollar Miracle, I was a bit surprised at how many secondary themes I could identify once I finished writing it. It was never intended this way, but all these themes had a strong link with the main one (faith), and helped carry it, propelled it, which of course worked out well for the story. Some of these topics are:

Loss – different types, especially the loss of a loved one.

Financial ruin

Addiction

Righteousness – as a judgemental trait

The spirit of cooperation/generosity/kindness

Respect thy neighbor – accepting differences

Serendipity

I enjoyed writing The Five-dollar Miracle, and it was a welcomed change of pace, as well as refreshing. I am excited about my next novel, and can’t wait to finish it. From my point of view as a writer, it is presenting its challenges, something I welcome, while at the same time, I am hoping that the story flows well, and that by the end, I make peace with it.

New Novel Update

I am currently writing The Girl Who Could Not Love. I am only a few chapters in, and it already seems as if this story will present its challenges. Not so much about writing it, but instead, on the road it is taking me so far. It is one that is new to me, and one which I am not comfortable with as it deals with the main character’s state of mind/heart/soul from the get go. I had no intention to take that route but I will trust the process and be open to it. I have sensed a resistance to write it, and I am wondering why. At the same time, I feel a sense of discovery and excitement mixed with apprehension. For the sake of writing this story and of being faithful to the process, I have decided to put aside my reserves and continue on the journey, as far and deep as the pen wants to take me.

I wish I could tell you more about it but I am discovering it as I write. For the first time I find myself at the mercy of my pen, and I am willing to follow it in faith, if not blindly.

Faith – A confident belief; trust. Loyalty; allegiance. (American Heritage Dictionary)

Medieval Social Times

Times have changed in the last few decades, or have they? With the advantages and perils that the internet brought to our society, what looks to me like an extreme righteous mentality seems to dominate social media. This strict social conscience – a righteous mob – seems eager to point a finger and to burn the victim/person right away. It seems to feed itself, and the power of the mob creates martyrs of social media when guilt is assumed without giving the person the benefit of the doubt, a chance to present truth or facts that will point to redemption/innocence. Sometimes it seems as it is not even about the cause, but of how I ( the me, me, me) fit into it and can also participate in the latest crucifixion.

Why am I bringing this up? Well, as writers we develop characters and we try to portray them as credible and real as the pen allows. This only means that we make use of language, imagery, certain types of words – historical and period appropriate, popular and unpopular views, and even cliches, which might be necessary to create the story’s “environment” in order to tell it as best we can. How does this forced mentality, this “medieval” social mob hysteria affects writers today? Are we faithful to our story without letting the pressure of the times bind the pen, or do we quietly censor it? Do we exercise its free will or are we cautious about being perceived as the personification of our words? How do we separate character from writer without giving in to the righteous mob inquisition? It seems to me that sometimes, people cannot separate one from theother, and this might present a challenge for writers.

Will these medieval social times have an influence on future writers, their minds, and by default the pen? Will stories become diluted? Diluted enough to be politically correct? Historical fiction writers are presented with a challenge. It has been said that books, whether fiction or not, speak of the times when these were written, of the social conditions and atmosphere of the time. It permeates throughout the pages of a book, and many times, it remains alive between the lines.

There are No Coincidences

I believe that what we call coincidences are tiny miracles that intertwine in this life. Every writer, at one point, questions his/her path and the issue of why keep on writing, or what difference does it make? I’ve have asked that question; I asked that question to God. A few weeks ago I got my answer in the most unusual way.

A few weeks ago, something happened that changed my perspective as far as my writing goes. During that time, I had received a shipment of copies of my latest book – The Five-dollar Miracle, and the next day, I gifted the first copy. It was an impromptu offering. I was talking to that person and the books where next to me. A few days later, I had a casual conversation with that person and she mentioned the many similarities she encountered reading the story. She told me the book spoke to her, and many things she had taken to heart. She was going through many of the challenges the story presented, and so was her church. The pastor had died three months ago, and the congregation faced new challenges as well. What caught her eye and made her read further on was the first paragraph. She asked me how I came up with that date. I found the question unusual, and I told her it was a random date with no significance to me – the day I sat to write the story. For her, it was the day her husband died. I did not know her during that time. She mentioned that she was starting the five-dollar miracle.

Later on, I pondered all the events that had lead to that conversation and weaved my tiny miracle. By then, I had put my question to God out of mind. Only when I pondered these things I realized that my question had been answered. I don’t know if she will find something more in this story, but as far as I know the writing of it mattered, at least for her. As soon as I understood this, I thanked God for his love. I had a new perspective on writing.

As writers, we never know for whom we are writing the stories we create, but sometimes, we are blessed to have a glimpse. As far as I am concerned, The Five-dollar Miracle fulfilled its purpose, and I was able to find a new perspective in writing. If you have asked yourself the same question I asked, I hope this post helps you in some way.

THE FIVE-DOLLAR MIRACLE

“My name is Jonathan. My official name is Zadquiel. I prefer Jonathan. The story that I am about to tell you happened in Jasper Falls, a small town in the north of Virginia, USA. It was a small miracle, a five-dollar miracle that changed a stranger, a pastor, an entire congregation, and a whole country. I will take you to that day – July 29, 2016.” (excerpt from The Five-dollar Miracle)

Standing at the Edge

I am about to plunge into writing my next novel – The Girl Who Could Not Love. I’ve always compared the feeling of starting a new story to the feeling of standing at the edge of a cliff and peering out to see what is below and beyond. One approaches the edge carefully, respectful of the abyss below, and at the same time with apprehensive wonderment, excitement, and a certain kind of childish joy. The deeper and farther I look out, the more I see, and images start emerging and becoming clear. Suddenly, that edge is not as defined and scary as it was at the beginning. A couple of chapters inside the story the edge has disappeared and I am floating, observing and being a part of the story. It is always like a little adventure.

The writing of this novel is an exciting undertaking because I have nothing to start with, no plot, no outline, no initial lines or ideas, only a title and the main character’s name. I am halfway the first chapter and I have to say that I was not expecting it to develop the way it is, so I am in for the ride. Hopefully, it will be completed by next year, but I am only the writer.

Stories That Will Not Make It Into Books

I have always been a dreamer. I have very detailed, sometimes long, vivid dreams. Sometimes, these dreams are stories from start to end. Many times, I write these down. The format is a short version in a 3×5 card that will trigger the memory of the whole dream. One of these stories left an impression on me, and I intend to make it a novel. My dreams are all over the place, from past experiences to present, featuring people I know to complete strangers, and even fall into the category of fantasy or sci-fi dreams. Many of these, I write and ponder on them later on, while trying to find a significant meaning or common thread to the bizarre dreams. These usually play like a movie, whether I am inside the dream or an observer.

I have heard of writers turning dreams into books. As writers, we draw inspiration from everything around. Most of my dream stories will not make it into novels. I will give you a couple of examples, although in a very brief format. One of these is about a couple who must fight for their unusual love. They meet when she is about to become his parent’s meal. His family is one of many modern cannibal tribes who live in secrecy, and come from a long line of families whose traditions date back centuries. To get their meals they put together fancy high society dinners at hotels, and many of their young and tender guests are seduced by these free and fancy invites. There is always a topic, charitable cause, and of course, the chosen people are taken to a special room, where they will disappear and become the meal, eventually. The protagonists meet in such a scenario, and he experiences love at first sight. He takes her by the hand and runs while exiting via an elevator. After that, they must face persecution by his family and the other tribes.

Now, as weird as that sounds, I assure you that I have all my faculties, and by now, you understand why this bizarre story will not make it into one of my books. Another example of these dream-stories features a colony of vampires. It takes place in the 13th century and starts when the vamps raid a small village and take a few people, including the protagonist (Amielle), to their underground castle, hidden away from plain sight. Of course, they will become a food supply. I am seeing a common thread here (food). Should I eat more? The male protagonist, a nobleman in love with the village girl who has been taken, is on a quest to rescue her. King vamp (Baldemiere) is smitten with her and decides to spare her, but she must surrender her will to him in order to become his queen, which the current lady queen does not take well, and eventually, she leads the male protagonist (Antoine) and his soldiers to the hidden castle via underground tunnels that cross various villages, hence how each village is attacked at random. Now the sad ending – Our lady protagonist unknowingly has fallen in love with king vamp and has to make the choice of sacrificing her beloved nobleman and his soldiers thus becoming a vampire queen.

These are two examples of bizarre and graphic dreams of mine that will not make it into books. In the first story, I do not know their names, in the second story I do. Although I find them a bit interesting as dreams, and would not be difficult to write because they are full detailed stories, these do not call me as a writer, and do not fit my writing style at present. I say at present because I don’t now what the future holds or if I will ever be interested in writing in this category. I remembered a comment from an author who I cannot recall right now, and he said that you cannot make every dream idea you have into a book. This was many years ago, and I did not fully understand the whole meaning at that time; however, I understand it now. As you grow as a writer, not only does your style evolves and you become aware of it, but also, your ability or desire to follow a “path” (for lack of a better word), thus becoming more selective in a conscious way.

My Next Novel

My plans were to continue where I left off before writing The Five-dollar Miracle; however, in the final rounds of writing this story, another title kept crossing my mind on several occasions to the point of captivating my full attention. I understood that this is the story I must write next – The Girl Who Could Not Love – and I will put aside the story I was about to continue, once more. And once more, I will trust the process and write, although right now all I have is a title and the main character’s name – Amalee Stonehart (yes, she named herself).

I will be working on developing this story (or it me) for the remainder of the year, and I have no idea what it will be about or where it will take me. It seems that this one also will not follow the style of my previous works. We will see. As a writer, I am open to inspiration and try not to box myself in, whether genre or style. I am excited to see where this litte adventure will take me this time.

Right now, I have several stories in the back burner, as well as future plans for a book of poems (will not dare call it a poetry book) and a compilation of short stories. These will have to wait, at least another couple of years, for what I can tell. I would love to continue where I left off soon, as I do really want to write this story that has been patient enough with me, and put aside a couple of times. I am not sure of its title, which is ironic, but I do have a short outline, mostly chapter ideas, and ending. I never knew that writing could be so unpredictable for me, on the contrary, I thought of it as very predictable, planned, and structured. As far as the remainder of the year, it will be dedicated to my next novel – The Girl Who Could Not Love. Wish me well.

Boxed In?

For many years I’ve tried to define my writing niche – my little genre box. The truth is that I don’t have one. For some reason, I cannot box myself in a particular genre. I cannot define myself as a (fill the blank) writer. When asked the question, I cannot say that I am a romance writer, a mystery writer … so I usually answer with “I am a fiction writer” or “I write fiction.” It is not that I won’t commit to a genre or that there is a lack of clarity. It is not that I cannot decide on one particular genre and stick with it, as many experts suggest. I have pondered my reasons for not going inside the box many times. The only answer I can come up with is that I want to be open to write the book that wants to be written.

I labeled my first published novel a paranormal romance for lack of a better genre definition, but truthfully, I don’t feel that I am a paranormal romance writer. The novels are more inspirational in nature than romantic, and they have a supernatural vibe. The current story I am working on – The Five-dollar Miracle – is an inspirational story and very different from my other books. One theme that seems to filter into my writing is that of the divine and the supernatural working together. It is the only thread that seems to give my writing a cohesive element. Other than that, I am open to any story that wants to be written.

So what am I? I guess that when forced to stick on a label, I will call myself an inspirational fiction writer but that feels a bit too boxy for me. Instead, I will let inspiration mold my pen and trace a path. Of course, this is irreverent to traditional publishing/writing and to the mighty pen gods, the omniscient powers that be. I am at peace with that.