writer

Blogging versus Writing

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Lakhovsky: The Convesation; oil on panel (Бесе...

Lakhovsky: The Convesation; oil on panel (Беседа), 51.1 x 61.3 cm (Photo credit: Wikipedia)

Today, I want to talk/write about the distinction between blogging and formal writing when you are a writer/author or work as a freelance writer. I say distinction because blogging and writing share many similarities as well as differences. I guess the question that I want to address here is, “Do you write as you blog?  No, I don’t, and I hope the answer is no for many.  For me, blogging is more about having a conversation, similar to the conversation you would have with someone at a coffee shop, for example. You let your guard down a bit, enjoy your coffee, the company, and talk about what is going on with you, your work … but also, listen to the other party, and share his/her interests.  When blogging, I may start a sentence with the words and, or, and I may use the words ending in “ally“ with or without disregard, and tons of adverbs, depending on what I want to convey, and the mood.  It doesn’t mean that I advocate sloppy blogging. It means that I feel comfortable enough in the conversation to let go of some rules of writing and talk to readers of the blog as I would talk to a friend in casual conversation.

When writing a novel or working on an assignment, editing becomes the friend. It has been said that there is a conversation between an author and the readers of a novel (and there is); however, that conversation happens in the mind, between the lines, and certainly, after my friend “the editor” has meddle in the conversation.

Another point to consider is the purpose of the blog. Blogs that are formal, informative, and cater to a specific group of readers, should follow the applicable sets of rules, very different from conversational blogs that aim to grow a community, start a conversation, and share among bloggers/readers. I follow the same conversational rules for social media. I’d rather say “see you later gators,” than say, “I will see you later, alligators” – just to give you a common example. If I was writing an instructional, informative, or “formal post,” I would follow suit.

One thing that I find no need or excuse for in blogging or any other social media outlet, is bad etiquette, bad manners, personal attacks, improper use of language, and sloppiness (laziness). But to each its own.

As a writer/author or as a reader, how do you feel about blogging and formal writing? I would love to hear your opinion.

Selling Your Soul

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Balance

Balance (Photo credit: Wikipedia)

I have been very active researching and learning about the Indie movement, and always keep my eye out for new trends and developments. A development that I have noticed in the past few years is capitalizing on trends. I view it as selling your soul, but that is just my opinion. The traditional publishing industry has played this game for some time now, and it is only one of the reasons why the independent publishing movement started. Indie writers who wanted to become published authors but were rejected by the traditional model because their books were not “what we are looking for now” took matters into their own hands and thanks to companies like Amazon, were able to share their works with readers. This is part of the story, but what puzzles me is the conversion by Indie authors to the traditional model, that is, in the sense of publishing independently but trying to capitalize on the current genre trends, despite if what they are writing is not the book in their heart and soul. I have heard advice about going with the wind current and writing what sells. Isn’t that mirroring the traditional model? It has become a frenzy, a free for all that I am hoping will not hurt the movement in the long run due to careless and irresponsible self-publishing that aims to make a quick buck with disregard to the movement or to readers. This is where the fine line becomes strong, separating indies from self-publishers-a-million, and hopefully, strengthens the movement by separating the grain from the husk, and therefore, not risking the publishing balance; because let’s face it, if the indie movement is viewed as a portal for disgraced publishing, eventually the balance of power will flip back to the traditional model. Again, my opinion, not necessarily an omen.

If we care about what we do, as writers and indies, let’s honor the story by presenting it to readers in the best light, and with the best intentions. That is where true independence in publishing exists.

Writing Your Book’s Elevator Pitch

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It is never too late to write your book’s elevator pitch. Most likely, you won’t think about it until you face the question “what’s your book about?” How would you answer this question if you only had a minute or less? How would you craft the answer in one quick but meaningful sentence? It may seem daunting to think about summarizing your book in one sentence, but it is not that difficult. Here is how.

Think of the title followed by the genre, then about your main character(s), then think about your character’s dilemma – and leave it at that. Let me give you an example using my novels.

Moonlit Valley is an inspirational paranormal romance about a young couple fighting to hold on to their love and trust while overcoming a series of unfortunate events and surreal destiny.

MOONLIT VALLEY

MOONLIT VALLEY

 

Ramblings of the Spirit is an inspirational paranormal romance about a young librarian who resents her origins but must find a way to fulfill her birthright in a struggle with love, self, and duty.

Cover for Ramblings of the Spirit (The Dinorah Chronicles) - Girl Image by Lunagirl Images. Design by Maria Antonia Diaz

Ramblings of the Spirit

 

There you have it, Title + genre + main character(s) + dilemma = elevator pitch.

You might feel tempted to add more to it, but then, you will succumb to explaining your novel. You can always add a bit of more interest by mentioning secondary topics of conflict without giving the story away, if you have more time to converse. I have read about many approaches to this, but this works for me.

This works for fiction but you can easily modify it for non-fiction by replacing the main character with your topic and the dilemma with what you are trying to do for the reader (goal).

Hope this post was useful.

The Indie Trap – Avoid This

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English: Mouse trap - "Promax" brand...

English: Mouse trap – “Promax” brand Español: Ratonera de ratones (Photo credit: Wikipedia)

Before deciding to become an indie author, I learned as much about it as I could, and continue to learn, knowing that it is an ongoing effort. Indie publishing is evolving fast, and furiously. Honestly, I am not so sure how it will continue to develop and how this movement will be seen in the future. What I have noticed is a frenzy about publishing volume, many times with disregard of quality, by new authors, and even more seasoned ones. What caused this? I am not sure either. It is as if everyone is in a panic, a mania, as if independent publishing will cease to exist so, “I better write a lot of books and publish them before it is too late” or it could be ” too many people publishing, too many books out, soon, it will be impossible for my work to get noticed; it is saturated already.”  That is the impression I get when I read or hear other authors recommending to write many books fast, have them out there soon enough, or publishing many short stories, and novellas just to grab readers. It is indie mania out there!

My take on it is this, if you are planning on writing for a lifetime, of being an author for the long run, avoid the temptation. Write at your own pace, write the best book you can present to readers (you owe this to your readers), and publish it when you are one hundred percent plus sure that you have given it your best effort. Forget about what everyone else is rushing about and doing, and focus on your goals and vision as a long-term author. Write your best story, and present it as a humble sacrifice to your readers. When I say sacrifice I am referring to an offering, your best work.

It is hard to foresee what is going to happen to independent publishing, but you will certainly regret it if you put out work that you are not proud of being your best, that you can certainly foresee, so don’t fall in this trap. Don’t let algorithms, ranking, number of books a year … get in the way of your best work. However the industry develops, let it be; you will continue to be an indie author, if that is your vision.

Developing a Brand Statement

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I should have written about this topic sometime ago, but it is something that you do not think about unless you are making a conscious effort to create, evaluate, or develop/expand your brand. Whether you are an author, artist, entrepreneur … or are starting to create a brand, eventually, you will have to develop a statement. In this case, I will refer to your statement as a branded author.

What is a brand statement? To make it easy, compare it to your novel’s elevator pitch. I have read in several sources about many variations of expressing it, but it can be easily explained as the sum of what you/your product is, plus the type of customer/reader that is your target, plus what you/your product offers/does for them (your intention). Once you put that into words, in a short sentence, you have developed your brand statement. For example, my brand statement is: “Inspirational fiction author Maria Antonia Diaz delights readers of fiction and non-fiction by offering works that combine adventure with the supernatural and the divine.”

If you look at that statement it tells who I am/my product as an author, it mentions my target market, and what the product (books) offers the readers. The reason that I include the non-fiction sector, is because my novels have an inspirational tone to them, which might be of interest to that sector. If you think about it in those simple terms, you can develop a simple brand statement that you can sum up in a sentence.  It is an easy way to keep the focus of your brand in front of you, and make it clear to others. Think about who you are as an author and who your readers are, and what you want to do for them through your work. That should lead you to express your brand statement.

What’s in a Name?

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Spanish Language Wikipedia logo

Spanish Language Wikipedia logo (Photo credit: Wikipedia)

Short answer – Nothing and everything.

Why? Naming something, whether a character, selecting your author name, or naming a website … unfortunately gives an impression to the person who happens to read it – positive or negative, maybe even neutral. Some authors opt for using a pen name because their names are not “suitable” for the genre they are writing, or because they prefer not to use the real name.  As an example, I will use my own. When you read my author name (Maria Antonia Diaz), you may (or not) assume that I write in Spanish, when I don’t; so far inspiration has come in English, but that doesn’t mean anything because one day, I may sit down and write a novel in Spanish (translations do not count here). Perception of a name depends on many factors – personal, cultural, social … you get the idea. Fame adds another layer. As an example, I will mention J.K. Rowling (famous) and her recent pen name of Robert Galbraith (not famous, at least until he became J.K. Rowling and the book started selling hot, hot, hot).

Recently, I was reading about the importance of obtaining the .com for your author name if available, and how to forgo another domain (.net, .org …) if it was already taken. The reason given is that people are conditioned to search for a .com first, and the mind makes an association with that first name (the .com owner). In addition, people will land on the .com first, and it may not be to your best interest if the association with the already taken domain is not a positive one, especially after so much work and dedication crafting your path. The author’s opinion was that it was better to obtain a .com by tweaking your name, or by choosing some important point/feature from one of your novels to drive attention to your work. This was when panic hit. I realized that I had never bother to see if a .com was available for my author name. After so many years of research and work, how this simple point escaped my attention? If I was so serious about my path as a writer, how something so basic eluded me? The answer to that had to do with how I viewed my two work-related domains, as an intricate part of me, the author. That was the wrong answer. Why? Because readers don’t make that connection, I do.  You can guess what happened next.

I found out that the .com was available, and I grabbed it. In addition, I decided to build a separate website as an author. It is in the making. I could have done that from the beginning, but Inkspeare was the name for this blog, and it is how it developed. Changing the name of it at this point, would be a mistake. This takes me once more, to the importance of thinking your author name and its developement, not only well, but separate from your other online personas/entities. You might view yourself as one and only one, but this is only your perception, and not necessarily translates into the reader’s perception. As far as readers concern, they don’t care about your other jobs, sites, or online entities; they just don’t make that connection that you have internalized.

If you are contemplating a career as a writer, a long and serious one, think about separating the author from your other online personas that do not relate to you as an author, and which readers will not make a connection with, because in reality, it does not pertain to your name as an author.  In the long run, it will be easier for you, and less confusing for the readers. It doesn’t matter if you don’t have many readers now because you are setting the foundation for your future as an author.

So what’s in a name? Nothing and everything.

Great Book for Indies

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When I think about all the hours, years of research and learning that I spent as an aspiring author, I have to say that I wished that some of the information I was craving would come in a more cohesive format. Unsure of the path I wanted to take in relation to publishing, after learning as much as I could about not only the craft, but about the different publishing venues, I found that a great part of the information was scattered, biased, and sometimes, not clear enough. Eventually, after separating this information, I finally decided that the indie path was the best choice I could make, and I did.

Recently, I came across an excellent book for indie authors or aspiring authors – The Indie Author Guide by April L. Hamilton. It was first published in 2010, and I wish that I have found it then, because it is a great resource for aspiring authors or indie authors. So I am passing you this bit of information that I am sure you will appreciate. If you are serious about writing and becoming an independent author, or even if you don’t know about it much but want to know more so you can make the best decision when it comes down to publishing your work, this guide is for you. I got my copy from Amazon. It is a treasure, especially if you are starting out; it will save you much time and wasted effort.

So if you are serious about writing, go get your copy; it will be very useful and enlightening. By the way, this is my opinion and I am not endorsing or affiliated in any way; just passing along a great source.

Why Self-published Authors Succumb to Contracts

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Français : FICHE GÉNÉRIQUE Modus operandi, ins...

Français : FICHE GÉNÉRIQUE Modus operandi, installation vidéo-interactive, 2003 Conception et réalisation : Jean-Louis Boissier. Production : laboratoire Esthétique de l’interactivité, Université Paris 8, Association Transports. (Photo credit: Wikipedia)

It is a new world and a new game at the publishing industry. It has opened doors to independent and self-published authors who are enjoying the best time to make their works known without the demands and constraints of the traditional publishing industry model. However, what makes a successful independent or self-published author succumb to a traditional contract? It would be a good idea to differentiate between the terms indie and self-published (this assessment is my view, in general).

I view independent authors (indie) as entrepreneurs who enjoy the freedom and flexibility of maintaining their status as indies, and who have established for themselves  a “modus operandi” that they love and prefer. I view self-published authors as writers who love the craft and have embraced the opportunity with the changes in the industry but whose goal is to one day, become published the traditional way. They might have received rejection notes or not, but their main goal is to obtain publication via the traditional model of publishing, and at the same time, making a name for themselves.

Despite the rules of the traditional publishing model, publishers are turning to Amazon to discover future contracts by following who sells the most/ranking. This works well for self-publishers, who have not been able to reach the system via an agent. For a successful self-publishing author this might eliminate one layer of the traditional method – finding an agent, but agents might be looking for these self-published successes as well, knowing that the sales have been proven, and most likely, will turn into profitable contracts.

Successful Indie authors are smart about all this, and although they love their freedom and flexibility, they would consider the right contract, as long as it proves to be more profitable than what they are already experiencing by their own efforts. For other indie authors, the issue is more about flexibility and the need to control the creative process, and their working style. Indies might or might not want to obtain a contract, depending on their goals.

Successful indie authors who value an entrepreneur model of publishing seem to retain more control over what they want than self-publishers whose goal is to get a contract to validate their status as authors or to make a name in the industry. It seems that it comes down to “what’s in it for me,” and how it falls under “my goals as an author.” Both sides have genuine interests, and there is no right or wrong way to do things, as long as it follows the author’s true values/goals.

The Closet

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Linen Closet

Linen Closet (Photo credit: Wikipedia)

A bit different from what I usually write, maybe dark and creepy, but inspiration comes in all colors, and sometimes, unexpected 🙂

 

The Closet

 

Hanging by a thread,

Pinky lets go of the rope,

Fighting to grab thin air,

I began to fall, deep dark hole.

 

Nails screeching the atmosphere,

Long way down the depth of soul,

The slow fall, miles of hope,

Pretending the bottom never touch.

 

The closet calls, inviting

A safe haven of obscurity

Knowing truth, I avoid the call

For if I go in, I will never be back.

 

Not lost of body,

Not lost of soul,

But of the mind,

Long lost, lone gone.