writing ideas

Writing Through Your Emotions

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Photo by M.A.D.

I think that writers can be pragmatic, but also drama queens set free in their own worlds. Not only do we deal with our character’s emotions but also our own as we write these characters throughout the story. Sometimes, it becomes overwhelming, other times, cathartic. In my experience, I have found that sometimes a roadblock in writing goes deeper than the pen I am holding. That pause, that resistance, comes from an emotion that I might not want to acknowledge, usually indirectly. What might seem at the beginning a distraction or even a mild case of writer’s block, is no other than an emotion that does not want to be recognized for what it is, whether a painful memory, a weakness, or a more deep-rooted emotion. It resists the pen however it was triggered. Sure, a writer can always go around it and find an excuse for the pen; however, it won’t be the last time.

Dealing with our feelings as we write will eventually release the words that have been held hostage, and result in a better flow of the story. Many times, acknowledging that the emotion is present might be enough. Sometimes, characters become mirrors; most of the time, they are just beings from the imagination being brought to life by a passionate pen. Other times, the ink takes a bit longer to dry.

On AI

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Photo by Maria Diaz

This post is about my feelings on AI (artificial intelligence) and the future of writing and publishing. First, I should disclose that I am biased, and also old-school. I am more like the character Will Smith plays in I-Robot. Of course, when new inventions have been introduced in the history of humankind, there has been distrust, inquisition, questions, trepidation, and so much more. Much has been said about AI, especially, during the past year, and by now most of you must be familiar with some applications in technology, including writing. My concern is with the future of writing and the quality of content, as well as the increase on an already saturated market full of the good, the bad, and the ugly. Must all be doom and gloom? Of course not. The same was said about print on demand and independent publishing, and here we are today. Saturation? Yes. I am sure that there are many benefits to AI, probably across and extended to all endeavors. Going back to the topic of quality and quantity, AI will be a best friend to those who want to make a quick buck while saturating the writing market with stories/content written at a fast pace and without care or soul.

That being said, so many questions arise, at least on my mind.

Will the publishing giants favor their own mass-produced stories?

Will freelance writers compete with AI on speed and delivery or will they embrace it?

Will they be paid less for their originality? What are the parameters for originality when it comes down to AI? Is it possible for AI to commit plagiarism?

Will readers appreciate a book written in what will become the “classical way” or will they become consumers of fast stories that might cater to their need for “more and quickly, please.”

Will the quality of stories suffer, or will it challenge writers? Will readers even notice?

Will AI become a favorite tool of writers or an archenemy?

Will it help with writer’s block or make it worse?

Will writers who care for quality and not quantity feel threatened by AI?

Will human writing even exist in the future or will “Robotina” kill the writer?

Of course, it is too early to tell, and I don’t have a crystal ball on my desk. As for this old-school writer, I believe that words evoke feelings, and that might or might not matter in a not-so-distant future.

How Important is the Support of a Spouse/partner for a Writer?

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Many years ago, I was watching a best-selling author being interviewed and she was asked if her husband read her books. She answered no, and proceeded to explain that he was very supportive and encouraging of her career, however, he had never read one of her novels. The interviewer seemed a bit puzzled; however, I think that in most cases, a spouse or significant other, even family and very close friends, do not jump into the reader’s pool right away, or ever.

This is something that for some writers is a sensitive topic, and they feel hurt when the people closest to them seem to disregard their books. It happens more than we might admit, in all fields/careers. Personally, I don’t think that if a close person has not read my books that it translates into not caring or a lack of support. Many times, people are not avid readers, or just don’t have enough time, or interest in the genre. If my work is treated with disdain or uninformed harsh criticism, (happened on one occasion, and by a person who I thought would be very happy for me) then, I view that as a different issue that is rooted in that person’s issues and not in my work. There is a distinction to be made.

As human beings, it is natural to expect the support and cheers of the people who matter most to us, and most likely, these are the same people who have supported us in many other ways throughout our entire life, so when something that is very dear and important to us doesn’t seem to have equal importance in their lives, we tend to feel hurt. Support comes in a variety of ways and people show their support differently. For example, my husband has not read any of my novels, but he has been very supportive in many ways, whether that is flashing a big smile when I publish a new book, economic support, giving away copies or promo cards to people he knows and I don’t, and many other ways. Do I mind that he has not read my books? Absolutely not. Having his support is having him on my team, and that is valuable to me.

For writers, sometimes just a caring or congratulatory word suffices; it shows that the person acknowledges their effort and is present, even if that person never reads one page.

What Parameters Do You Have As a Writer?

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Photo by M.A.D.

What parameters do you have as a writer?

Every writer has a style that continues to develop over a lifetime of writing. Writing embodies more than putting pen to paper. Every writer has do’s and don’ts that are related to work ethic, style, personal development, goals, and even personality. These are parameters or boundaries that the writer establishes, and many are non-negotiable. As an example, some writers would not consider publishing the traditional route, and they prefer to continue an independent path to their creativity. Other writers would prefer to skip the public appearances or hoopla, although I think this group is a minority. From deciding to stick with a genre to venturing into another, and other considerations, the writer has developed a set of values and principles that will determine most of the career path. It might not be set on stone, but this is the fuel that produces the spark that moves the engine. That is why when it comes down to becoming a writer, there is no one size fits all. There are industry standards, of course, but when it comes down to creativity, each writer has a “code of conduct/ethics,” a system of values of sort, that serves as a guiding light, a beacon for the pen.

Cloning never ends up well, and it doesn’t mean that a writer cannot experiment in the latest genre appeal or what is moving the market at a particular moment; however, eventually a writer will come back to the parameters that were established and are deeply rooted. Can a contract sway the most devoted indie? Maybe or maybe not. It might depend on how deep the writing shrine is rooted and of many other factors, from personal beliefs and values to more work-related, practical, and concrete likes and dislikes. Sometimes, the what-if’s play a role, and other times, it is all a game of roulette, but in the end every writer is its own cliche or its own refuge, although the adage says that no man is an island.

A little mind exercise.

Can you spot the 9 cliches in this blog post?

A Writer Evolves with the Characters

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I am writing this blogpost from the point of view of the evolution of the writer as opposed to how a character evolves in the story. Throughout the story all characters evolve, change, as experiences and challenges are introduced by the writer. The interaction of the characters and the different situations the god-pen writes for them makes this evolution possible. Where there is no change there is no story, it comes naturally. In a series, this process is more evident and so much more engrained in a character, not only because of the many situations a character goes throughout a series, but also because there is the fictional pass of time. Most likely, the character is very different from the first book until the end of the series. This is also where the writer’s evolution takes place.

From that first concept of a character until the end of a story or series, the writer has been learning, feeling, and even listening to the needs of the characters. Sometimes, a character will fight a writer’s pen, and the writer’s best decision for this character will entail listening to it, and analyzing the particular issues that are present. At that moment, not only the writer has changed, but the original intention as well. As characters mature and go along in the story, so does the view and “feeling” the writer has of them and for them. A writer that doesn’t “feel” a character has not listened to it. A stubborn pen is worse than a stubborn character.

At the end of a story/series, a relationship, a connection has been attained but also, there has been a mutual understanding, a symbiotic evolution.

Ghostly Lines

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I guess this post is inspired by the change in weather and the crisp air …

Photo by M.A.D.

As a writer, I am attuned to inspiration, and it can come from anywhere, anytime, anyplace. An overheard conversation between strangers, a dream, headlines, a person, and sometimes, as lines that pop up in my mind out of nowhere. I call these ghostly lines because these have no context or previous reference, just appear. It may be a phrase, one word, a brief image that suddenly comes, or a banner of words. If there is pen and paper nearby, I immediately make a notation; if not, I make a point to remember as best as I can. Sometimes I do, sometimes I do not. I keep these words or images filed in a little green box for future use. I figure, this came to me for a reason.

For example, once a brief image of a well-dressed young woman from another era suddenly appeared in my mind, and she was saying to someone, “Even the poor have gardens.” I briefly wrote the scene and the line and filed it in my green box. This time, I was in my car, my husband was driving, so I was able to take out a notebook I keep inside my bag and wrote it down. It didn’t make sense at the moment.

Do not ignore your random thoughts and ideas. Those may come suddenly and without reason. Write those because you might be able to use them one day. These might inspire a story, a chapter, or even the ending of a story, you never know. Take these ideas for what they are – useful random bits and pieces of inspiration. Never underestimate the power of your pen.

Writer, Don’t Take your Words for Granted

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Photo by M.A.D.

Most people I have talked with seem to misunderstand what a writer does. Either they think that words are cheap a dozen or that writing a story is easy. A common suggestion is, “Why don’t you write about this or that?” As writers, we tend to draw inspiration from many places, but inspiration is all it is. The original idea must mean something, entice the pen, allure us, arouse our curiosity in order to proceed into the crafting of a story. Sometimes, we agonize over a character, a chapter, or even a single word. Although these suggestions might be well intended, I compare it to asking a farmer how many acres he/she has; you just don’t go there. It is like me asking you how much money is in your bank account.

For some, writing a book is all about money, for others, about fame and recognition, but for a true story lover, it is about everything. That might be hard to explain. If you have ever had an encounter with writer’s block, you know how soul-sucking it is, and how debilitating it is to the mind of a writer. A torment that ink and paper cannot cure. Only the return of the missing word can alleviate the tormented heart and soul of the afflicted writer. There is no time or expectation, only hope and desire. It is a mystery of mysteries, a black hole that consumes words, pen, and writer, for time does not exist anymore, only days without words, empty pages, a crusty dried pen, and innumerable cups of coffee. Days come and go blending into one another, a timeless punishment by the muse who refuses to sprinkle the miraculous ink that will cure the ailment. Until one day … And until then, making peace with writer’s block is a sensible solution.

What are the Signs?

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Signs are everywhere, that is, if we take the time to see and listen. Have you ever heard someone say, “Signs of the times?” It refers to characteristics of a particular era or present time, or even alluding to certain events that are expected to happen, such as “end times” or other. Signs could also be warnings given to us from above before something is about to happen or we are about to make the wrong decision. Different from clues, which take us forward, from one to the next and so on, in order to reveal something or truth, signs serve more as a beacon, a warning just on time.

I have had signs before something is about to happen. For example, on one occasion, I gave a ride to a coworker who was sabotaging me at work, unbeknownst to me. A small glass blown angel that I had hanging from my backing-up mirror, suddenly broke in pieces and fell just as this person sat in the car. I could not explain why and how it happened because it was well secured with a sturdy chain, and the chain remained intact, not broken. Although I found the incident unusual at that time, I ignored it. It was a warning from above, which I understood later on.

In writing, sometimes we use signs and clues when creating a story. Mystery thrillers are a good example. However, one should separate one from the other. Clues take you to a destination, signs warn you about it. Many people refer to these as one and the same, but I view these as different in purpose. I made use of clues in my novel Moonlit Valley, as the main character Rose Carrigan follows a path that reveals the truth. I made use of signs also, such as a warning given to her by Black Hawk, one of her protectors. Signs and clues are sparingly used throughout my novels, which deal with the topics of the Divine and the supernatural. As a writer, I try not to center the story solely on clues and signs. I think these should enhance the story not become it.

Now, if we could only see a butterfly on top of the bird, we could make up a story.

On Writing – The Demise of Self For the Good of All

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Most heroes accept their calling, even when they might hesitate at first. They choose to follow their purpose. Their purpose eventually becomes their identity, and if that purpose fails, ceases to exist, even momentarily, the hero/main character loses her/his identity. When the purpose , the calling, the birthright becomes the goal/the existence, it becomes more important than the hero or anyone else, and it usually translates (ironically) in the denial of self, the neglect of loved ones, all for the good of humanity – the ultimate goal. Just like a fire, it consumes the hero’s soul, and takes over everything around her/him quickly. Sometimes the hero finds balance, sometimes not; however, most likely, the hero finds the self along the way.

Photo by M.A.D.

On Writing – Resurrecting a Character

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Sometimes, it happens that a character is brought back, whether from the dead, or back in a series. When resurrecting a character there is always motive, a purpose, and that motive has to be clear, defined, and essential to the story, otherwise, it might not make sense or have an impact in the story.

Why bring back what was once gone if there is no agenda? It is a risky maneuver for the writer, one that can upset readers more than the demise itself. Of course, for fans of the long gone soul, it is a heavenly gift, like breathing life into the pages once more. For the writer, a necessary duty, a risky endeavor, a solemn event.

Photo by M.A.D.